{"id":118,"date":"2024-04-09T15:48:46","date_gmt":"2024-04-09T18:48:46","guid":{"rendered":"https:\/\/paulasibilia2.lugarestudio.com.br\/?page_id=118"},"modified":"2026-05-10T21:27:02","modified_gmt":"2026-05-11T00:27:02","slug":"paratextos","status":"publish","type":"page","link":"https:\/\/paulasibilia.com\/index.php\/paratextos\/","title":{"rendered":"Paratextos"},"content":{"rendered":"\n

PARATEXTOS<\/h1><\/div><\/div><\/div><\/div><\/div>
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JORGE, Marianna Ferreira. Desempenho tarja preta: Medicaliza\u00e7\u00e3o da vida e esp\u00edrito empresarial na sociedade contempor\u00e2nea.<\/h3><\/div><\/div>
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Orelha do livro.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u200e <\/span> Eduff - Editora da Universidade Federal Fluminense<\/span><\/span>, 2021.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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TERRA, Victor. O meio sem fim.<\/h3><\/div><\/div>
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Pref\u00e1cio.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Fafich\/Selo PPGCOM\/UFMG, 2021.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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VIRILIO, Paul. Est\u00e9tica da desapari\u00e7\u00e3o.<\/h3><\/div><\/div>
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Orelha do livro.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Ed. Contraponto, 2015.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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DAEMON, Flora. Sob o signo da infamia: Das viol\u00eancias em ambientes educacionais \u00e0s estrat\u00e9gias midi\u00e1ticas de jovens homicidas\/suicidas.'<\/h3><\/div><\/div>
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Orelha do livro.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Ed. Garamond, 2015.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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MIGLIORIN, Cezar. Inevitavelmente cinema: educa\u00e7\u00e3o, pol\u00edtica e mafu\u00e1.<\/h3><\/div><\/div>
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Pref\u00e1cio.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Ed. Azougue, 2015.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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BRUNO, Fernanda. M\u00e1quinas de ver, modos de ser: Vigil\u00e2ncia, tecnologia e subjetividade.<\/h3><\/div><\/div>
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Pref\u00e1cio.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Editora Sulina, 2014.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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GIUCCI, G.. As engrenagens lubrificadas: Cronenberg, autom\u00f3veis e corpos super-excitados.<\/h3><\/div><\/div>
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Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Rio de Janeiro: Caixa Cultural, 2009.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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LECERF, Eric. Antoine Doinel e as desventuras do valor trabalho.<\/h3><\/div><\/div>
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Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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S\u00e3o Paulo: Caixa Cultural S\u00e3o Paulo, 2008.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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LECERF, Eric. A recupera\u00e7\u00e3o metaf\u00edsica como figura concreta da emancipa\u00e7\u00e3o: Ensaio sobre o bergsonismo de George Sorel.<\/h3><\/div><\/div>
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Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Belo Horizonte: Aut\u00eantica, 2007.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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KOSSOY, Boris. Fotograf\u00eda e Historia.<\/h3><\/div><\/div>
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Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Buenos Aires: La Marca, 2001.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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SONTAG, Susan. Esperando a Godot en Sarajevo.<\/h3><\/div><\/div>
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Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Buenos Aires: La Caja, 1993.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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