[et_pb_section fb_built=”1″ admin_label=”CAPITULOS” _builder_version=”4.27.2″ _module_preset=”default” background_color=”rgba(7,237,229,0.55)” background_image=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/PS_livros2.jpg” background_blend=”multiply” background_pattern_horizontal_offset=”-100%” background_pattern_vertical_offset=”100%” width=”100%” max_width=”100%” module_alignment=”center” max_height=”100%” custom_margin=”-55px||0px||false|false” mix_blend_mode=”multiply” hover_enabled=”0″ collapsed=”on” global_colors_info=”{}” sticky_enabled=”0″][et_pb_row _builder_version=”4.25.0″ _module_preset=”default” custom_margin=”35px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”PARATEXTOS” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300||on|||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”60px” title_letter_spacing=”7px” title_text_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Divisor-espa\u00e7o” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” locked=”off” collapsed=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.25.0″ _module_preset=”default” width=”100%” module_alignment=”center” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”5px||5px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.25.0″ _module_preset=”default” module_alignment=”center” max_height=”0px” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/tarjapreta.jpg” title_text=”tarjapreta” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”JORGE, Marianna Ferreira. Desempenho tarja preta: Medicaliza\u00e7\u00e3o da vida e esp\u00edrito empresarial na sociedade contempor\u00e2nea.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n
<\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n \u200e <\/span> Eduff – Editora da Universidade Federal Fluminense<\/span><\/span>, 2021.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/Terra.png” title_text=”Terra” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”TERRA, Victor. O meio sem fim.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Fafich\/Selo PPGCOM\/UFMG, 2021.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/VIRILIO-Paul.jpg” title_text=”VIRILIO,-Paul” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”VIRILIO, Paul. Est\u00e9tica da desapari\u00e7\u00e3o.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Ed. Contraponto, 2015.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/Flora-livro-web.webp” title_text=”Flora-livro-web” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”DAEMON, Flora. Sob o signo da infamia: Das viol\u00eancias em ambientes educacionais \u00e0s estrat\u00e9gias midi\u00e1ticas de jovens homicidas\/suicidas.'” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Ed. Garamond, 2015.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/cezar.jpg” title_text=”cezar” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”MIGLIORIN, Cezar. Inevitavelmente cinema: educa\u00e7\u00e3o, pol\u00edtica e mafu\u00e1.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Ed. Azougue, 2015.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/F_Bruno.jpg” title_text=”F_Bruno” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”BRUNO, Fernanda. M\u00e1quinas de ver, modos de ser: Vigil\u00e2ncia, tecnologia e subjetividade.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Editora Sulina, 2014.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/book-cover-texture2.jpg” title_text=”book-cover-texture2″ admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”GIUCCI, G.. As engrenagens lubrificadas: Cronenberg, autom\u00f3veis e corpos super-excitados.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Rio de Janeiro: Caixa Cultural, 2009.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/book-cover-texture2.jpg” title_text=”book-cover-texture2″ admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”LECERF, Eric. Antoine Doinel e as desventuras do valor trabalho.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n S\u00e3o Paulo: Caixa Cultural S\u00e3o Paulo, 2008.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/book-cover-texture2.jpg” title_text=”book-cover-texture2″ admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”LECERF, Eric. A recupera\u00e7\u00e3o metaf\u00edsica como figura concreta da emancipa\u00e7\u00e3o: Ensaio sobre o bergsonismo de George Sorel.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Belo Horizonte: Aut\u00eantica, 2007.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/foto-historia.png” title_text=”foto-historia” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”KOSSOY, Boris. Fotograf\u00eda e Historia.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Buenos Aires: La Marca, 2001.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” module_alignment=”center” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/book-cover-texture2.jpg” title_text=”book-cover-texture2″ admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” width=”65%” max_width=”65%” module_alignment=”center” custom_margin=”|0px||0px|false|true” custom_padding=”|0px|30px|0px|false|true” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_heading title=”SONTAG, Susan. Esperando a Godot en Sarajevo.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#b28b00″ text_font_size=”14px” text_line_height=”1.5em” header_font=”||||||||” header_text_color=”#b28b00″ header_6_font=”|||on|||||” header_6_text_color=”#b28b00″ header_6_letter_spacing=”1px” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n Buenos Aires: La Caja, 1993.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Orelha do livro. \u200e Eduff – Editora da Universidade Federal Fluminense, 2021. Pref\u00e1cio. Fafich\/Selo PPGCOM\/UFMG, 2021. Orelha do livro. Ed. Contraponto, 2015. Orelha do livro. Ed. Garamond, 2015. Pref\u00e1cio. Ed. Azougue, 2015. Pref\u00e1cio. Editora Sulina, 2014. Tradu\u00e7\u00e3o. Rio de Janeiro: Caixa Cultural, 2009. Tradu\u00e7\u00e3o. S\u00e3o Paulo: Caixa Cultural S\u00e3o Paulo, 2008. Tradu\u00e7\u00e3o. Belo Horizonte: Aut\u00eantica, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-118","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":11,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/118\/revisions"}],"predecessor-version":[{"id":232846,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/118\/revisions\/232846"}],"wp:attachment":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/media?parent=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Pref\u00e1cio.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Orelha do livro.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Orelha do livro.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Pref\u00e1cio.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Pref\u00e1cio.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Tradu\u00e7\u00e3o.<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n