{"id":107,"date":"2024-04-09T15:46:42","date_gmt":"2024-04-09T18:46:42","guid":{"rendered":"https:\/\/paulasibilia2.lugarestudio.com.br\/?page_id=107"},"modified":"2026-05-15T21:33:23","modified_gmt":"2026-05-16T00:33:23","slug":"artigos","status":"publish","type":"page","link":"https:\/\/paulasibilia.com\/index.php\/artigos\/","title":{"rendered":"Artigos"},"content":{"rendered":"<div class=\"et_pb_section_0 et_pb_section et_section_regular et_block_section\"><span class=\"et_pb_background_pattern\"><\/span>\n<div class=\"et_pb_row_0 et_pb_row et_block_row\">\n<div class=\"et_pb_column_0 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_0 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">Artigos<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_1 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_1 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_1 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_2 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_2 et_pb_row et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_2 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_1 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2024<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_3 et_pb_row et_block_row\">\n<div class=\"et_pb_column_3 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_2 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Nostalgia de las paredes: La tramposa indistinci\u00f3n p\u00fablico-privado en celebridades posanal\u00f3gicas.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">*em coautoria com\u00a0 Marcela Rochetti Arcoverde.<\/div>\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\"><\/div>\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">Raz\u00f3n y Palabra, [S. l.], v. 28, n. 120, p. 61\u201371, 2024.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_3 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_4 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_4 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_5 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_5 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_3 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2023<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_6 et_pb_row et_block_row\">\n<div class=\"et_pb_column_6 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_4 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Da hipocrisia aos cinismos: Transforma\u00e7\u00f5es do \"solo moral\" nas democracias contempor\u00e2neas.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_1 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">Revista ECOP\u00d3S (online), v. 26, p. 324-348, 2023.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_7 et_pb_row et_block_row\">\n<div class=\"et_pb_column_7 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_5 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Imagens despudoradas: Extimidade, pornifica\u00e7\u00e3o e capitaliza\u00e7\u00e3o de si.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_2 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">CALIB\u00c1N - Revista Latino Americana de Psican\u00e1lise, v. 21, p. 198-204, 2023.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_8 et_pb_row et_block_row\">\n<div class=\"et_pb_column_8 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_6 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Im\u00e1genes impudicas: Auto-pornificaci\u00f3n y capitalizaci\u00f3n de la extimidad.o e capitaliza\u00e7\u00e3o de si.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_3 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">CALIB\u00c1N - Revista Latino Americana de Psican\u00e1lise, v. 21, p. 198-204, 2023.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_9 et_pb_row et_block_row\">\n<div class=\"et_pb_column_9 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_7 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Entre paredes y redes. Escuela, tecnolog\u00edas digitales y subjetividades.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_4 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">ArteDoc. Territorios de la educaci\u00f3n art\u00edstica, v. 1, p. 42-51, 2023.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_4 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_10 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_10 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_11 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_11 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_8 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2022<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_12 et_pb_row et_block_row\">\n<div class=\"et_pb_column_12 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_9 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O mal-estar da conex\u00e3o espasm\u00f3dica: da obedi\u00eancia \u00e0 depend\u00eancia?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_5 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">\n<p class=\"font_8 color_14\">*em coautoria com <span class=\"color_13\">Marianna Ferreira Jorge<\/span>.<\/p>\n<p class=\"font_8\"><span style=\"font-style: italic;\"><\/span>Comunica\u00e7\u00e3o &amp; Sociedade (online), v. 44, p. 5-35, 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_5 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_13 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_13 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_14 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_14 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_10 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2021<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_15 et_pb_row et_block_row\">\n<div class=\"et_pb_column_15 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_11 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Correndo para n\u00e3o perder nada.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_6 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">\n<p class=\"font_8 color_14\">*em coautoria com Manuela Arruda Galindo.<\/p>\n<p class=\"font_8\"><span style=\"font-style: italic;\"><\/span>Civitas (Porto Alegre), v. 21, p. 203-213, 2021.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_6 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_16 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_16 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_17 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_17 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_12 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2019<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_18 et_pb_row et_block_row\">\n<div class=\"et_pb_column_18 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_13 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">The Digitalization of Life.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_7 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">Dialogue and Universalism, v. 29, p. 93-102, 2019.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_19 et_pb_row et_block_row\">\n<div class=\"et_pb_column_19 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_14 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">La Educaci\u00f3n desafiada entre redes o paredes: Dispositivos digitales, nuevas subjetividades y escuela en crisis.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_8 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">Comunicaci\u00f3n - Educaci\u00f3n, v. 1, p. 31-48, 2019.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_20 et_pb_row et_block_row\">\n<div class=\"et_pb_column_20 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_15 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">The online \"addiction\" as a malaise of the 21st century: From repression by the law to \"free\" unlimited stimulation.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_9 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">\n<p class=\"font_8 color_14\">*em coautoria com <span class=\"color_13\">Marianna Ferreira Jorge<\/span>.<\/p>\n<p class=\"font_8\"><span style=\"font-style: italic;\">The International Journal of Psychoanalysis. <\/span>Londres, UK, Volume 100, Issue 6 (Centenary Special Issue), dez. 2019; p. 1422-1438.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_7 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_21 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_21 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_22 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_22 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_16 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2018<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_23 et_pb_row et_block_row\">\n<div class=\"et_pb_column_23 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_17 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Los cuerpos visibles en la contemporaneidad: De la purificaci\u00f3n medi\u00e1tica a la explicitud art\u00edstica.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_10 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">Kaypunku: Revista de Estudios Interdisciplinarios de Arte y Cultura, v. 4, p. 175-198, 2018.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_24 et_pb_row et_block_row\">\n<div class=\"et_pb_column_24 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_18 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Voc\u00ea \u00e9 o que Google diz que voc\u00ea \u00e9: a vida edit\u00e1vel, entre controle e espet\u00e1culo.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_11 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">InTexto, p. 214-231, 2018.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_8 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_25 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_25 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_26 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_26 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_19 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2017<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_27 et_pb_row et_block_row\">\n<div class=\"et_pb_column_27 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_20 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Uno es lo que Google dice que uno es: La vida editable, entre control y espect\u00e1culo.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_12 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">Revista de Psicoan\u00e1lisis, v. LXXVI, p. 237-252, 2017.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_28 et_pb_row et_block_row\">\n<div class=\"et_pb_column_28 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_21 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">\u00bfQu\u00e9 es privado en la era de la extimidad? De la confesi\u00f3n intimista a la curadur\u00eda de s\u00ed mismo.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_13 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">Docta: Revista de la Asociaci\u00f3n Psicoanal\u00edtica de C\u00f3rdoba, v. 14, p. 134-149, 2017.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_9 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_29 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_29 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_30 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_30 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_22 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2016<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_31 et_pb_row et_block_row\">\n<div class=\"et_pb_column_31 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_23 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O corpo como m\u00e1quina: Da normaliza\u00e7\u00e3o \u00e0 otimiza\u00e7\u00e3o.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_14 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">ComCi\u00eancia (UNICAMP), v. 175, p. -, 2016.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_32 et_pb_row et_block_row\">\n<div class=\"et_pb_column_32 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_24 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O que \u00e9 ser saud\u00e1vel? Entre publicidades modernas e contempor\u00e2neas.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_15 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">*em coautoria com <span class=\"color_13\">Marianna Ferreira Jorge<\/span>.<\/div>\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">Gal\u00e1xia (S\u00e3o Paulo. Online), p. 32-48, 2016.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_10 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_33 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_33 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_34 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_34 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_25 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2015<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_35 et_pb_row et_block_row\">\n<div class=\"et_pb_column_35 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_26 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">El pasado editable, o el derecho al olvido en internet.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_16 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">\n<div class=\"s_usaAWRichTextClickableSkin_richTextContainer s_usaAWRichTextClickableSkinrichTextContainer\" style=\"height: initial;\">La maleta de Portbou, v. 9, p. 8, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_36 et_pb_row et_block_row\">\n<div class=\"et_pb_column_36 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_27 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O passado edit\u00e1vel: Crise da interioridade e espetaculariza\u00e7\u00e3o de si.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_17 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Cien Digital, v. 17, p. 1-10, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_37 et_pb_row et_block_row\">\n<div class=\"et_pb_column_37 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_28 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Self-exposed nudity on the net: displacements of obscenity and beauty?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_18 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Cadernos Pagu (UNICAMP), p. 171-198, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_38 et_pb_row et_block_row\">\n<div class=\"et_pb_column_38 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_29 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O universo dom\u00e9stico na era da extimidade: Nas artes, nas m\u00eddias e na internet.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_19 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Revista Eco-P\u00f3s (Online), v. 18, p.132-147, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_39 et_pb_row et_block_row\">\n<div class=\"et_pb_column_39 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_30 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">La - pornificaci\u00f3n - de la mirada: una genealog\u00eda del pecho desnudado.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_20 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Cuadernos de Musica, Artes Visuales y Artes Escenicas , v. 10, p. 35-63, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_40 et_pb_row et_block_row\">\n<div class=\"et_pb_column_40 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_31 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Autenticidade e performance: a constru\u00e7\u00e3o de si como personagem vis\u00edvel.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_21 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Revista Fronteiras (Online), v. 17, p.353-364, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_41 et_pb_row et_block_row\">\n<div class=\"et_pb_column_41 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_32 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">La digitalizaci\u00f3n de la vida.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_22 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Revista Unipe: tema (uno), v. 5, p. 15-21, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_42 et_pb_row et_block_row\">\n<div class=\"et_pb_column_42 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_33 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Mal de amores: Afectos y v\u00ednculos er\u00f3ticos en tiempos hiperconectados.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_23 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Revista Psicoan\u00e1lisis de las Configuraciones Vinculares, v. 38, p. 83-90, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_43 et_pb_row et_block_row\">\n<div class=\"et_pb_column_43 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_34 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">A nudez auto-exposta na rede: Deslocamentos da obscenidade e da beleza?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_24 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Cadernos Pagu (UNICAMP. Impresso), v.1, p. 171-198, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_11 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_44 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_44 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_45 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_45 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_35 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2014<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_46 et_pb_row et_block_row\">\n<div class=\"et_pb_column_46 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_36 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O que \u00e9 obsceno na nudez? Entre a Virgem medieval e as silhuetas contempor\u00e2neas.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_25 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Revista FAMECOS (Impresso), v. 21, p. 24-55, 2014.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_47 et_pb_row et_block_row\">\n<div class=\"et_pb_column_47 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_37 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">El cuerpo extra\u00f1o: Org\u00e1nico, demasiado org\u00e1nico.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_26 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Interdisciplina, v. 2, p. 211-217, 2014.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_12 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_48 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_48 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_49 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_49 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_38 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2013<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_50 et_pb_row et_block_row\">\n<div class=\"et_pb_column_50 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_39 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">El artista como espect\u00e1culo: Autenticidad y performance en la sociedad medi\u00e1tica.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_27 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Dixit, v. 18, p. 4-19, 2013.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_51 et_pb_row et_block_row\">\n<div class=\"et_pb_column_51 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_40 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O corpo estranho: Org\u00e2nico, demasiadamente org\u00e2nico.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_28 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Agente, Revista da Escola Brasileira de Psican\u00e1lise (EBP), v. 15, p. 137-144, 2013.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_52 et_pb_row et_block_row\">\n<div class=\"et_pb_column_52 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_41 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">La verdad escrita en las c\u00e9lulas: Nuevos biologicismos redefinen la condici\u00f3n humana.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_29 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Revista de La Sociedad Argentina de Psicoan\u00e1lisis, v. 17, p. 199-218, 2013.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_13 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_53 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_53 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_54 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_54 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_42 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2012<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_55 et_pb_row et_block_row\">\n<div class=\"et_pb_column_55 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_43 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">The school in the hyper-connected world: Networks instead of walls?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_30 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Matrizes (Online), v. 5, p. 195, 2012.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_56 et_pb_row et_block_row\">\n<div class=\"et_pb_column_56 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_44 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">La escuela en un mundo hiperconectado: \u00bfredes en vez de muros?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_31 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Revista Educacion y Pedagog\u00eda, v. 24, p.135-144, 2012.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_57 et_pb_row et_block_row\">\n<div class=\"et_pb_column_57 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_45 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O corpo velho como uma imagem com falhas: A moral da pele lisa e a censura midi\u00e1tica da velhice.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_32 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Comunica\u00e7\u00e3o, M\u00eddia e Consumo (S\u00e3o Paulo. Impresso), v. 9, p. 83-114, 2012.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_58 et_pb_row et_block_row\">\n<div class=\"et_pb_column_58 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_46 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">El culto al cuerpo purificado.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_33 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Boca de sapo: Revista de Arte, Literatura y Pensamiento, v. 14, p. 10-17, 2012.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_59 et_pb_row et_block_row\">\n<div class=\"et_pb_column_59 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_47 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">A constru\u00e7\u00e3o de si como um personagem real: autenticidade intimista e decl\u00ednio da fic\u00e7\u00e3o na cultura contempor\u00e2nea.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_34 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Eco (UFRJ), v. 15, p. 22-46, 2012.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_14 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_60 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_60 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_61 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_61 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_48 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2011<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_62 et_pb_row et_block_row\">\n<div class=\"et_pb_column_62 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_49 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Vitrines da intimidade na internet: Imagens para guardar ou para mostrar?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_35 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">*em coautoria com Ligia Diogo.<br \/>Estudos de Sociologia (S\u00e3o Paulo), v. 16, p. 127-139, 2011.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_63 et_pb_row et_block_row\">\n<div class=\"et_pb_column_63 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_50 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">\u00bfC\u00f3mo puede la escuela albergar nuevos modos de ser?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_36 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">*em coautoria com Ver\u00f3nica Tobe\u00f1a.<\/div>\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">(Entrevista com Paula Sibilia, por Ver\u00f3nica Tobe\u00f1a). Propuesta Educativa (Online), v. 35, p.67-73, 2011.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_64 et_pb_row et_block_row\">\n<div class=\"et_pb_column_64 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_51 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">A t\u00e9cnica contra o acaso: Os corpos inter-hiper-ativos da contemporaneidade.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_37 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Revista FAMECOS (Online), v. 18, p.638-656, 2011.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_65 et_pb_row et_block_row\">\n<div class=\"et_pb_column_65 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_52 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">\u00a1M\u00edrenme, soy Yo! La promoci\u00f3n de uno mismo como personaje visible.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_38 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">La mujer de mi vida, v. 64, p. 8-9, 2011.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_15 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_66 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_66 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_67 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_67 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_53 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2010<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_68 et_pb_row et_block_row\">\n<div class=\"et_pb_column_68 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_54 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Celebridade para todos: um ant\u00eddoto contra a solid\u00e3o?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_39 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">\n<div data-packed=\"false\" data-vertical-text=\"false\" data-min-height=\"auto\" class=\"s_usaAWRichTextClickableSkin\" style=\"width: 100%; height: auto; text-align: left; box-sizing: border-box; white-space: normal; min-height: auto;\">Ci\u00eancia e Cultura, v. 62, p. 52-55, 2010.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_69 et_pb_row et_block_row\">\n<div class=\"et_pb_column_69 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_55 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">A vida interconectada, alongada e espetacular: desafios biopol\u00edticos do s\u00e9culo XXI.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_40 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Gal\u00e1xia (PUCSP), v. 10, p. 5-8, 2010.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_16 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_70 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_70 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_71 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_71 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_56 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2009<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_72 et_pb_row et_block_row\">\n<div class=\"et_pb_column_72 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_57 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">En busca del aura perdida: Espectacularizar la intimidad para ser alguien.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_41 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Psicoperspectivas: Individuo y Sociedad, v. VIII, p. 309-329, 2009.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_73 et_pb_row et_block_row\">\n<div class=\"et_pb_column_73 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_58 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Im\u00e1genes de cuerpos viejos: Repugnancia, censura y la moral de lo liso.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_42 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">DEF-GHI comunicaci\u00f3n y arte, v. 2, p. 87-91, 2009.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_74 et_pb_row et_block_row\">\n<div class=\"et_pb_column_74 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_59 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Yo, un espect\u00e1culo. Toda V\u00eda.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_43 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Pensamiento y Cultura en Am\u00e9rica Latina, v. 22, p. 20-23, 2009.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_75 et_pb_row et_block_row\">\n<div class=\"et_pb_column_75 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_60 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">T\u00e9cnicas para deletar lembran\u00e7as: a informatiza\u00e7\u00e3o da mem\u00f3ria e do esquecimento.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_44 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Resgate (UNICAMP), v. 18, p. 17-38, 2009.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_76 et_pb_row et_block_row\">\n<div class=\"et_pb_column_76 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_61 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Sobre el cuerpo y la comunicaci\u00f3n.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_45 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">*em coautoria com Juan Pablo Villagran e Bel\u00e9n Olaechea.<\/div>\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Educaci\u00f3n f\u00edsica y ciencia , v. 11, p.191-197, 2009.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_17 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_77 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_77 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_78 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_78 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_62 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2008<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_79 et_pb_row et_block_row\">\n<div class=\"et_pb_column_79 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_63 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Drogas do esquecimento e implantes cerebrais: A informatiza\u00e7\u00e3o da mem\u00f3ria.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_46 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Ci\u00eancia e Cultura (SBPC), v. 60, p.35-38, 2008.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_80 et_pb_row et_block_row\">\n<div class=\"et_pb_column_80 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_64 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">A digitaliza\u00e7\u00e3o do rosto: Do transplante ao PhotoShop.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_47 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Cin\u00e9tica, v. 1, p. 1, 2008.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_81 et_pb_row et_block_row\">\n<div class=\"et_pb_column_81 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_65 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Imagens do corpo perfeito: O sacrif\u00edcio da carne pela pureza digital.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_48 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">Pensamiento y Cultura en Am\u00e9rica Latina, v. 22, p. 20-23, 2009.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_82 et_pb_row et_block_row\">\n<div class=\"et_pb_column_82 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_66 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">La r\u00facula y el calef\u00f3n.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_49 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">\n<div class=\" flex_vbox\" style=\"position: relative; display: block; -webkit-box-orient: vertical; flex-direction: column; margin-bottom: 3px; box-sizing: border-box;\">La mujer de mi vida, v. 52, p.8-9, 2008.<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_18 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_83 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_83 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_84 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_84 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_67 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2007<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_85 et_pb_row et_block_row\">\n<div class=\"et_pb_column_85 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_68 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Plastic surgeons: from beauty as a divine gift to Faustian imperatives.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_50 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Sociedad (Buenos Aires), S\u00e3o Paulo, v. 2, p.1-15, 2007.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_86 et_pb_row et_block_row\">\n<div class=\"et_pb_column_86 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_69 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">\u00bfNuestro destino est\u00e1 escrito en los genes? Una mirada desde la pel\u00edcula Gattaca.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_51 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Educaci\u00f3n F\u00edsica y Ciencia , v. 6, p. 71-80, 2007.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_87 et_pb_row et_block_row\">\n<div class=\"et_pb_column_87 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_70 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Pureza y Sacrificio: Nuevos ascetismos por el ?cuerpo perfecto?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_52 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Artefacto (Buenos Aires), v. 6, p. 38-44, 2007.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_19 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_88 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_88 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_89 et_pb_row et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_89 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_71 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2006<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_90 et_pb_row et_block_row\">\n<div class=\"et_pb_column_90 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_72 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O interativo como imperativo: Os corpos suavemente ansiosos da arte digital.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_53 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Revista Interm\u00eddias.com (Online), Web, v. Ano 2, n.5-6, 2006.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_91 et_pb_row et_block_row\">\n<div class=\"et_pb_column_91 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_73 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">A desmaterializa\u00e7\u00e3o do corpo: da alma (anal\u00f3gica) \u00e0 informa\u00e7\u00e3o (digital).<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_54 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Comunica\u00e7\u00e3o, M\u00eddia e Consumo (S\u00e3o Paulo), S\u00e3o Paulo, v. 3, n.6, p. 105-119, 2006.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_92 et_pb_row et_block_row\">\n<div class=\"et_pb_column_92 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_74 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Blogs, fotologs, videologs y webcams: Intimidades y confesiones en la Web.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_55 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Revista de La Sociedad Argentina de Psicoan\u00e1lisis, Buenos Aires, v. 9, p. 207-222, 2006.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_93 et_pb_row et_block_row\">\n<div class=\"et_pb_column_93 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_75 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Cirujanos pl\u00e1sticos: De la belleza como don divino a los imperativos f\u00e1usticos.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_56 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Sociedad (Buenos Aires), Buenos Aires, v.25, p. 131-142, 2006.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_20 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_94 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_94 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_95 et_pb_row et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_95 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_76 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2005<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_96 et_pb_row et_block_row\">\n<div class=\"et_pb_column_96 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_77 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Blogs, fotologs, videologs y webcams: El show de la vida \u00edntima en Internet.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_57 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Lucera (Rosario, ES), Rosario, v. 10, p. 4-11, 2005.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_97 et_pb_row et_block_row\">\n<div class=\"et_pb_column_97 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_78 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">La Naturaleza Digitalizada.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_58 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Contextos, Revista de la FADU, UBA, Buenos Aires Argentina, Buenos Aires, v. 15, p. 30-36, 2005.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_98 et_pb_row et_block_row\">\n<div class=\"et_pb_column_98 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_79 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">A vida como relato na era do fast-forward e do real time: algumas reflex\u00f5es sobre o fen\u00f4meno dos blogs.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_59 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Revista de Biblioteconomia e Comunica\u00e7\u00e3o, Porto Alegre, v. 11, n.2, p. 35-51, 2005.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_21 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_99 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_99 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_100 et_pb_row et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_100 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_80 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2004<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_101 et_pb_row et_block_row\">\n<div class=\"et_pb_column_101 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_81 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Tecnologia, Natureza e a Hibridiza\u00e7\u00e3o do ser Humano: novas quest\u00f5es para a Bio\u00e9tica e o Biodireito.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_60 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">O Mundo da Sa\u00fade, S\u00e3o Paulo, v. 28, p. 85-94, 2004.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_102 et_pb_row et_block_row\">\n<div class=\"et_pb_column_102 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_82 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Tiranias do software humano: redefini\u00e7\u00f5es da sa\u00fade e da doen\u00e7a \u00e0 luz da met\u00e1fora digital.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_61 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Logos (Rio de Janeiro), Rio de Janeiro, v. 20, p. 39-59, 2004.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_103 et_pb_row et_block_row\">\n<div class=\"et_pb_column_103 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_83 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Filmes de escritoras: a personagem (privada) ofusca a autora (p\u00fablica).<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_62 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Sess\u00f5es do Imagin\u00e1rio, Porto Alegre, v. 11, p.10-18, 2004.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_104 et_pb_row et_block_row\">\n<div class=\"et_pb_column_104 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_84 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Do homo psico-l\u00f3gico ao homo tecno-l\u00f3gico: a crise da interioridade.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_63 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Semiosfera (UFRJ), Rio de Janeiro, v. Ano 3, n.N\u00ba7, 2004.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_105 et_pb_row et_block_row\">\n<div class=\"et_pb_column_105 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_85 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O corpo obsoleto e as tiranias do upgrade.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_64 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Verve (PUCSP), S\u00e3o Paulo, v. 6, p. 199-226, 2004.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_106 et_pb_row et_block_row\">\n<div class=\"et_pb_column_106 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_86 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Cartas e Di\u00e1rios. Do manuscrito \u00e0 Internet: reconfigura\u00e7\u00f5es da intimidade e da privacidade.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_65 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">E P\u00f3s, Rio de Janeiro, v. 2004.2, 2004.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_107 et_pb_row et_block_row\">\n<div class=\"et_pb_column_107 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_87 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">O pavor da carne: Riscos da pureza e do sacrif\u00edcio no corpo-imagem contempor\u00e2neo.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_66 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Revista FAMECOS, Porto Alegre, v.25, p. 68-84, 2004.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_108 et_pb_row et_block_row\">\n<div class=\"et_pb_column_108 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_88 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">A digitaliza\u00e7\u00e3o da natureza.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_67 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Cibercultura, S\u00e3o Paulo, 2004.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_109 et_pb_row et_block_row\">\n<div class=\"et_pb_column_109 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_89 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Novas tend\u00eancias em marketing via Internet: confiss\u00e3o e controle?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_68 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Trama (Universidade Est\u00e1cio de S\u00e1), Rio de Janeiro, v. 4, p. 9-33, 2002.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_22 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_110 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_110 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_111 et_pb_row et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_111 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_90 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2002<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_112 et_pb_row et_block_row\">\n<div class=\"et_pb_column_112 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_91 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Novas tend\u00eancias em marketing via Internet: confiss\u00e3o e controle?<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_69 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Trama (Universidade Est\u00e1cio de S\u00e1), Rio de Janeiro, v. 4, p. 9-33, 2002.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_23 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_113 et_pb_row et-vb-row--no-module et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_113 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough\"><\/div>\n<\/div>\n\n<div class=\"et_pb_row_114 et_pb_row et_pb_equal_columns et_pb_gutters1 et_block_row\">\n<div class=\"et_pb_column_114 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_92 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h1 class=\"et_pb_module_header\">2001<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_115 et_pb_row et_block_row\">\n<div class=\"et_pb_column_115 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_heading_93 et_pb_heading et_pb_module et_block_module\"><div class=\"et_pb_heading_container\"><h3 class=\"et_pb_module_header\">Cr\u00f4nicas de uma \u00e9poca acidentada: dois livros de Paul Virilio.<\/h3><\/div><\/div>\n\n<div class=\"et_pb_text_70 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_justified preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><div class=\"\" style=\"box-sizing: border-box;\">Contracampo (UFF), IACS\/UFF, Niter\u00f3i, RJ., v. 5, p. 183-190, 2001.<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_section_24 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_116 et_pb_row et_block_row\">\n<div class=\"et_pb_column_116 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_divider_0 et_pb_divider_hidden et_pb_space et_pb_divider_position_top et_pb_module\"><div class=\"et_pb_divider_internal\"><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-107","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":59,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/107\/revisions"}],"predecessor-version":[{"id":233201,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/107\/revisions\/233201"}],"wp:attachment":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/media?parent=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}