{"id":107,"date":"2024-04-09T15:46:42","date_gmt":"2024-04-09T18:46:42","guid":{"rendered":"https:\/\/paulasibilia2.lugarestudio.com.br\/?page_id=107"},"modified":"2024-10-30T13:49:49","modified_gmt":"2024-10-30T16:49:49","slug":"artigos","status":"publish","type":"page","link":"https:\/\/paulasibilia.com\/index.php\/artigos\/","title":{"rendered":"Artigos"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”CAPITULOS” _builder_version=”4.27.2″ _module_preset=”default” background_color=”#7CDA24″ background_image=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/PS_livros2.jpg” background_blend=”multiply” background_pattern_horizontal_offset=”-100%” background_pattern_vertical_offset=”100%” width=”100%” max_width=”100%” module_alignment=”center” max_height=”100%” custom_margin=”-55px||0px||false|false” mix_blend_mode=”multiply” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.25.0″ _module_preset=”default” custom_margin=”35px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Artigos” _builder_version=”4.25.0″ _module_preset=”default” title_font=”Poppins|300||on|||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”60px” title_letter_spacing=”7px” title_text_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.27.2″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” hover_enabled=”0″ collapsed=”off” global_colors_info=”{}” sticky_enabled=”0″][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.27.2″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2024″ admin_label=”ANO” _builder_version=”4.25.0″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Nostalgia de las paredes: La tramposa indistinci\u00f3n p\u00fablico-privado en celebridades posanal\u00f3gicas.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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*em coautoria com\u00a0 Marcela Rochetti Arcoverde.<\/div>\n
<\/div>\n
Raz\u00f3n y Palabra, [S. l.], v. 28, n. 120, p. 61\u201371, 2024.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2023″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Da hipocrisia aos cinismos: Transforma\u00e7\u00f5es do ?solo moral? nas democracias contempor\u00e2neas.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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Revista ECOP\u00d3S (online), v. 26, p. 324-348, 2023.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Imagens despudoradas: Extimidade, pornifica\u00e7\u00e3o e capitaliza\u00e7\u00e3o de si.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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CALIB\u00c1N – Revista Latino Americana de Psican\u00e1lise, v. 21, p. 198-204, 2023.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Im\u00e1genes impudicas: Auto-pornificaci\u00f3n y capitalizaci\u00f3n de la extimidad.o e capitaliza\u00e7\u00e3o de si.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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CALIB\u00c1N – Revista Latino Americana de Psican\u00e1lise, v. 21, p. 198-204, 2023.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Entre paredes y redes. Escuela, tecnolog\u00edas digitales y subjetividades.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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ArteDoc. Territorios de la educaci\u00f3n art\u00edstica, v. 1, p. 42-51, 2023.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2022″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O mal-estar da conex\u00e3o espasm\u00f3dica: da obedi\u00eancia \u00e0 depend\u00eancia?” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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*em coautoria com Marianna Ferreira Jorge<\/span>.<\/p>\n

<\/span>Comunica\u00e7\u00e3o & Sociedade (online), v. 44, p. 5-35, 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2021″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Correndo para n\u00e3o perder nada.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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*em coautoria com Manuela Arruda Galindo.<\/p>\n

<\/span>Civitas (Porto Alegre), v. 21, p. 203-213, 2021.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2019″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”The Digitalization of Life.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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Dialogue and Universalism, v. 29, p. 93-102, 2019.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”La Educaci\u00f3n desafiada entre redes o paredes: Dispositivos digitales, nuevas subjetividades y escuela en crisis.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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Comunicaci\u00f3n – Educaci\u00f3n, v. 1, p. 31-48, 2019.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”The online %22addiction%22 as a malaise of the 21st century: From repression by the law to %22free%22 unlimited stimulation.” admin_label=”Artigo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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*em coautoria com Marianna Ferreira Jorge<\/span>.<\/p>\n

The International Journal of Psychoanalysis. <\/span>Londres, UK, Volume 100, Issue 6 (Centenary Special Issue), dez. 2019; p. 1422-1438.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2018″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Los cuerpos visibles en la contemporaneidad: De la purificaci\u00f3n medi\u00e1tica a la explicitud art\u00edstica.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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Kaypunku: Revista de Estudios Interdisciplinarios de Arte y Cultura, v. 4, p. 175-198, 2018.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Voc\u00ea \u00e9 o que Google diz que voc\u00ea \u00e9: a vida edit\u00e1vel, entre controle e espet\u00e1culo.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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InTexto, p. 214-231, 2018.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2017″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Uno es lo que Google dice que uno es: La vida editable, entre control y espect\u00e1culo.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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Revista de Psicoan\u00e1lisis, v. LXXVI, p. 237-252, 2017.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”\u00bfQu\u00e9 es privado en la era de la extimidad? De la confesi\u00f3n intimista a la curadur\u00eda de s\u00ed mismo.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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Docta: Revista de la Asociaci\u00f3n Psicoanal\u00edtica de C\u00f3rdoba, v. 14, p. 134-149, 2017.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2016″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O corpo como m\u00e1quina: Da normaliza\u00e7\u00e3o \u00e0 otimiza\u00e7\u00e3o.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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ComCi\u00eancia (UNICAMP), v. 175, p. -, 2016.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O que \u00e9 ser saud\u00e1vel? Entre publicidades modernas e contempor\u00e2neas.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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*em coautoria com Marianna Ferreira Jorge<\/span>.<\/div>\n
Gal\u00e1xia (S\u00e3o Paulo. Online), p. 32-48, 2016.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2015″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||25px||true|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”El pasado editable, o el derecho al olvido en internet.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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La maleta de Portbou, v. 9, p. 8, 2015.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O passado edit\u00e1vel: Crise da interioridade e espetaculariza\u00e7\u00e3o de si.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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Cien Digital, v. 17, p. 1-10, 2015.<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Self-exposed nudity on the net: displacements of obscenity and beauty?” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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Cadernos Pagu (UNICAMP), p. 171-198, 2015.<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O universo dom\u00e9stico na era da extimidade: Nas artes, nas m\u00eddias e na internet.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

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\n
Revista Eco-P\u00f3s (Online), v. 18, p.132-147, 2015.<\/div>\n<\/div>\n<\/div>\n

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Cuadernos de Musica, Artes Visuales y Artes Escenicas , v. 10, p. 35-63, 2015.<\/div>\n<\/div>\n<\/div>\n

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\n
Revista Fronteiras (Online), v. 17, p.353-364, 2015.<\/div>\n<\/div>\n<\/div>\n

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\n
Revista Unipe: tema (uno), v. 5, p. 15-21, 2015.<\/div>\n<\/div>\n<\/div>\n

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\n
Revista Psicoan\u00e1lisis de las Configuraciones Vinculares, v. 38, p. 83-90, 2015.<\/div>\n<\/div>\n<\/div>\n

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Cadernos Pagu (UNICAMP. Impresso), v.1, p. 171-198, 2015.<\/div>\n<\/div>\n<\/div>\n

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\n
\n
Revista FAMECOS (Impresso), v. 21, p. 24-55, 2014.<\/div>\n<\/div>\n<\/div>\n

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\n
Interdisciplina, v. 2, p. 211-217, 2014.<\/div>\n<\/div>\n<\/div>\n

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\n
Dixit, v. 18, p. 4-19, 2013.<\/div>\n<\/div>\n<\/div>\n

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\n
\n
Agente, Revista da Escola Brasileira de Psican\u00e1lise (EBP), v. 15, p. 137-144, 2013.<\/div>\n<\/div>\n<\/div>\n

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\n
Revista de La Sociedad Argentina de Psicoan\u00e1lisis, v. 17, p. 199-218, 2013.<\/div>\n<\/div>\n<\/div>\n

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\n
Matrizes (Online), v. 5, p. 195, 2012.<\/div>\n<\/div>\n<\/div>\n

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\n
\n
Revista Educacion y Pedagog\u00eda, v. 24, p.135-144, 2012.<\/div>\n<\/div>\n<\/div>\n

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\n
Comunica\u00e7\u00e3o, M\u00eddia e Consumo (S\u00e3o Paulo. Impresso), v. 9, p. 83-114, 2012.<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”El culto al cuerpo purificado.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
\n
Boca de sapo: Revista de Arte, Literatura y Pensamiento, v. 14, p. 10-17, 2012.<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A constru\u00e7\u00e3o de si como um personagem real: autenticidade intimista e decl\u00ednio da fic\u00e7\u00e3o na cultura contempor\u00e2nea.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
\n
Eco (UFRJ), v. 15, p. 22-46, 2012.<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2011″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Vitrines da intimidade na internet: Imagens para guardar ou para mostrar?” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
\n
*em coautoria com Ligia Diogo.
Estudos de Sociologia (S\u00e3o Paulo), v. 16, p. 127-139, 2011.<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”\u00bfC\u00f3mo puede la escuela albergar nuevos modos de ser?” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
\n
*em coautoria com Ver\u00f3nica Tobe\u00f1a.<\/div>\n
(Entrevista com Paula Sibilia, por Ver\u00f3nica Tobe\u00f1a). Propuesta Educativa (Online), v. 35, p.67-73, 2011.<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A t\u00e9cnica contra o acaso: Os corpos inter-hiper-ativos da contemporaneidade.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
Revista FAMECOS (Online), v. 18, p.638-656, 2011.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”\u00a1M\u00edrenme, soy Yo! La promoci\u00f3n de uno mismo como personaje visible.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
La mujer de mi vida, v. 64, p. 8-9, 2011.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2010″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Celebridade para todos: um ant\u00eddoto contra a solid\u00e3o?” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
\n
Ci\u00eancia e Cultura, v. 62, p. 52-55, 2010.<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A vida interconectada, alongada e espetacular: desafios biopol\u00edticos do s\u00e9culo XXI.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
Gal\u00e1xia (PUCSP), v. 10, p. 5-8, 2010.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2009″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”En busca del aura perdida: Espectacularizar la intimidad para ser alguien.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
Psicoperspectivas: Individuo y Sociedad, v. VIII, p. 309-329, 2009.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Im\u00e1genes de cuerpos viejos: Repugnancia, censura y la moral de lo liso.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
DEF-GHI comunicaci\u00f3n y arte, v. 2, p. 87-91, 2009.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Yo, un espect\u00e1culo. Toda V\u00eda.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
Pensamiento y Cultura en Am\u00e9rica Latina, v. 22, p. 20-23, 2009.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”T\u00e9cnicas para deletar lembran\u00e7as: a informatiza\u00e7\u00e3o da mem\u00f3ria e do esquecimento.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
Resgate (UNICAMP), v. 18, p. 17-38, 2009.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Sobre el cuerpo y la comunicaci\u00f3n.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
*em coautoria com Juan Pablo Villagran e Bel\u00e9n Olaechea.<\/div>\n
Educaci\u00f3n f\u00edsica y ciencia , v. 11, p.191-197, 2009.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2008″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Drogas do esquecimento e implantes cerebrais: A informatiza\u00e7\u00e3o da mem\u00f3ria.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
Ci\u00eancia e Cultura (SBPC), v. 60, p.35-38, 2008.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A digitaliza\u00e7\u00e3o do rosto: Do transplante ao PhotoShop.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
Cin\u00e9tica, v. 1, p. 1, 2008.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Imagens do corpo perfeito: O sacrif\u00edcio da carne pela pureza digital.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
Pensamiento y Cultura en Am\u00e9rica Latina, v. 22, p. 20-23, 2009.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”La r\u00facula y el calef\u00f3n.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

\n
La mujer de mi vida, v. 52, p.8-9, 2008.<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2007″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Plastic surgeons: from beauty as a divine gift to Faustian imperatives.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Sociedad (Buenos Aires), S\u00e3o Paulo, v. 2, p.1-15, 2007.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”\u00bfNuestro destino est\u00e1 escrito en los genes? Una mirada desde la pel\u00edcula Gattaca.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Educaci\u00f3n F\u00edsica y Ciencia , v. 6, p. 71-80, 2007.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Pureza y Sacrificio: Nuevos ascetismos por el ?cuerpo perfecto?” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Artefacto (Buenos Aires), v. 6, p. 38-44, 2007.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2006″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O interativo como imperativo: Os corpos suavemente ansiosos da arte digital.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Revista Interm\u00eddias.com (Online), Web, v. Ano 2, n.5-6, 2006.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A desmaterializa\u00e7\u00e3o do corpo: da alma (anal\u00f3gica) \u00e0 informa\u00e7\u00e3o (digital).” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Comunica\u00e7\u00e3o, M\u00eddia e Consumo (S\u00e3o Paulo), S\u00e3o Paulo, v. 3, n.6, p. 105-119, 2006.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Blogs, fotologs, videologs y webcams: Intimidades y confesiones en la Web.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Revista de La Sociedad Argentina de Psicoan\u00e1lisis, Buenos Aires, v. 9, p. 207-222, 2006.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Cirujanos pl\u00e1sticos: De la belleza como don divino a los imperativos f\u00e1usticos.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Sociedad (Buenos Aires), Buenos Aires, v.25, p. 131-142, 2006.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2005″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Blogs, fotologs, videologs y webcams: El show de la vida \u00edntima en Internet.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Lucera (Rosario, ES), Rosario, v. 10, p. 4-11, 2005.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”La Naturaleza Digitalizada.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Contextos, Revista de la FADU, UBA, Buenos Aires Argentina, Buenos Aires, v. 15, p. 30-36, 2005.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A vida como relato na era do fast-forward e do real time: algumas reflex\u00f5es sobre o fen\u00f4meno dos blogs.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Revista de Biblioteconomia e Comunica\u00e7\u00e3o, Porto Alegre, v. 11, n.2, p. 35-51, 2005.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2004″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Tecnologia, Natureza e a Hibridiza\u00e7\u00e3o do ser Humano: novas quest\u00f5es para a Bio\u00e9tica e o Biodireito.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

O Mundo da Sa\u00fade, S\u00e3o Paulo, v. 28, p. 85-94, 2004.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Tiranias do software humano: redefini\u00e7\u00f5es da sa\u00fade e da doen\u00e7a \u00e0 luz da met\u00e1fora digital.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Logos (Rio de Janeiro), Rio de Janeiro, v. 20, p. 39-59, 2004.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Filmes de escritoras: a personagem (privada) ofusca a autora (p\u00fablica).” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Sess\u00f5es do Imagin\u00e1rio, Porto Alegre, v. 11, p.10-18, 2004.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Do homo psico-l\u00f3gico ao homo tecno-l\u00f3gico: a crise da interioridade.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Semiosfera (UFRJ), Rio de Janeiro, v. Ano 3, n.N\u00ba7, 2004.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O corpo obsoleto e as tiranias do upgrade.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Verve (PUCSP), S\u00e3o Paulo, v. 6, p. 199-226, 2004.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Cartas e Di\u00e1rios. Do manuscrito \u00e0 Internet: reconfigura\u00e7\u00f5es da intimidade e da privacidade.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

E P\u00f3s, Rio de Janeiro, v. 2004.2, 2004.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O pavor da carne: Riscos da pureza e do sacrif\u00edcio no corpo-imagem contempor\u00e2neo.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Revista FAMECOS, Porto Alegre, v.25, p. 68-84, 2004.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A digitaliza\u00e7\u00e3o da natureza.” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Cibercultura, S\u00e3o Paulo, 2004.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Novas tend\u00eancias em marketing via Internet: confiss\u00e3o e controle?” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Trama (Universidade Est\u00e1cio de S\u00e1), Rio de Janeiro, v. 4, p. 9-33, 2002.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”2024″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px||0px||true|false” custom_padding=”25px||25px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Linha” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#E09900″ module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”10px||0px|25px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”2002″ admin_label=”ANO” _builder_version=”4.27.2″ _module_preset=”default” title_font=”Poppins|300|||||||” title_text_align=”left” title_text_color=”#FFFFFF” title_font_size=”45px” title_letter_spacing=”7px” module_alignment=”left” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”25px||0px||false|false” custom_padding=”25px|25px|25px|25px|true|true” border_width_all=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Novas tend\u00eancias em marketing via Internet: confiss\u00e3o e controle?” admin_label=”Artigo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_text_align=”justify” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” text_orientation=”justified” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” locked=”off” global_colors_info=”{}”]<\/p>\n

Trama (Universidade Est\u00e1cio de S\u00e1), Rio de Janeiro, v. 4, p. 9-33, 2002.<\/div>\n

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Contracampo (UFF), IACS\/UFF, Niter\u00f3i, RJ., v. 5, p. 183-190, 2001.<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.2″ _module_preset=”default” background_color=”#f4fbfb” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”70px||70px||true|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

*em coautoria com\u00a0 Marcela Rochetti Arcoverde. Raz\u00f3n y Palabra, [S. l.], v. 28, n. 120, p. 61\u201371, 2024. Revista ECOP\u00d3S (online), v. 26, p. 324-348, 2023. CALIB\u00c1N – Revista Latino Americana de Psican\u00e1lise, v. 21, p. 198-204, 2023. CALIB\u00c1N – Revista Latino Americana de Psican\u00e1lise, v. 21, p. 198-204, 2023. ArteDoc. Territorios de la educaci\u00f3n […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-107","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":42,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/107\/revisions"}],"predecessor-version":[{"id":232858,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/107\/revisions\/232858"}],"wp:attachment":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/media?parent=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}