{"id":105,"date":"2024-04-09T15:46:27","date_gmt":"2024-04-09T18:46:27","guid":{"rendered":"https:\/\/paulasibilia2.lugarestudio.com.br\/?page_id=105"},"modified":"2026-05-15T15:15:15","modified_gmt":"2026-05-15T18:15:15","slug":"capitulos","status":"publish","type":"page","link":"https:\/\/paulasibilia.com\/index.php\/capitulos\/","title":{"rendered":"Cap\u00edtulos"},"content":{"rendered":"
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Cap\u00edtulos<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
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Yo en la vitrina: Entre la autoficci\u00f3n y el espejismo de lo real.<\/h3><\/div><\/div>\n\n
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In: PUIG PUNYET, Enric. (Org.). Exponer, no exponerse, exponerse, no exponer. 1ed.Barcelona: Editorial Galaxia Gutenberg, 2022, v. , p. 29-38.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Jo a la vitrina. Entre la autoficci\u00f3 i el miratge del que \u00e9s real<\/h3><\/div><\/div>\n\n
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In: PUIG PUNYET, Enric. (Org.). Esposar. No exposar-se. Exposar-se. No exposar.. 1ed.Barcelona: Editorial Galaxia Gutenberg, 2022, v. , p. 27-36.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Genealog\u00edas de lo obsceno: Sexo y dinero, del burdel a Onlyfans.<\/h3><\/div><\/div>\n\n
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In: CAMINADA, Luc\u00eda; GON\u00c7ALVES, Fernando. (Org.). Pol\u00edticas y narrativas del cuerpo \/ Politiques et r\u00e9cits du corps \/ Politics and Narratives of the Body. 1ed.Corrientes \/ Perugia: Editorial de la Universidad Nacional del Nordeste EUDENE \/ Ceneri Rosse, 2022, v. 1, p. 614-634.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u00bfAutenticidad o performance? La construcci\u00f3n de s\u00ed mismo como un personaje realista<\/h3><\/div><\/div>\n\n
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In: AFRICANO, Leandro (Org). La vida digital de los medios y la comunicaci\u00f3n.<\/span> Ensayos sobre las audiencias, el contenido y los negocios en Internet. Buenos Aires: Editorial Granica, 2020; p. 186-205.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Do confinamento \u00e0 conex\u00e3o: As redes infiltram e subvertem os muros escolares.<\/h3><\/div><\/div>\n\n
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In: SOUZA SALES, Mary Valda. (Org.). Tecnologias digitais, redes e educa\u00e7\u00e3o: perspectivas contempor\u00e2neas. 1ed.Salvador (BA): EdUFBA, 2020, v. 1, p. 29-40<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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El malestar de lo ilimitado.<\/h3><\/div><\/div>\n\n
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In: CHAPUY, Elizabet (et al). (Org.).Fronteras. 1ed.Montevid\u00e9u: FEPAL \/ Viento de Fondo, 2020, v. 1, p. 984-987.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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O mal-estar do ilimitado.<\/h3><\/div><\/div>\n\n
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In: CHAPUY, Elizabet (et al). (Org.).Fronteras. 1ed.Montevid\u00e9u: FEPAL \/ Viento de Fondo, 2020, v. 1, p. 984-987.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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A crise da escola entre redes e paredes: dispositivos digitais e novas subjetividades.<\/h3><\/div><\/div>\n\n
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In: ALMEIDA, Fernando; TORREZAN, Gustavo; LIMA, Luciana, CATELLI, Rosana. (Org.). Cultura, Educa\u00e7\u00e3o e Tecnologias em Debate, volume 3.. 1ed.S\u00e3o Paulo: SESC, 2020, v. 3, p. 32-39.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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A otimiza\u00e7\u00e3o de si: redefini\u00e7\u00f5es da sa\u00fade e da doen\u00e7a na m\u00eddia contempor\u00e2nea.<\/h3><\/div><\/div>\n\n
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Em coautoria com Marianna Ferreira Jorge.<\/p>\n

In: SACRAMENTO, Igor; SANCHES, J\u00falio C\u00e9sar. (Org.). Dispositivos de subjetiva\u00e7\u00e3o: sa\u00fade, cultura e m\u00eddia. 1ed.Rio de Janeiro: Multifoco, 2019, v. 1, p. 84-110.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Ciborg: On\/Off<\/h3><\/div><\/div>\n\n
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In: ALARC\u00d3N, Cristian (Org). Cuerpo<\/span>. Buenos Aires: Anfibia Papel, 2019; p. 148-157.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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Voc\u00ea \u00e9 o que Google diz que voc\u00ea \u00e9: A vida edit\u00e1vel, entre controle e espet\u00e1culo<\/h3><\/div><\/div>\n\n
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In: BRUNO, Fernanda; CARDOSO, Bruno; KANASHIRO, Marta; GUILHON, Luciana; MELGA\u00c7O, Lucas (Orgs.). Tecnopol\u00edticas da vigil\u00e2ncia<\/em>: perspectivas da margem.<\/div>\n
S\u00e3o Paulo: Ed. Boitempo, 2018; p. 199-216.<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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Do confinamento \u00e0 conex\u00e3o: As redes infiltram e subvertem os muros escolares.<\/h3><\/div><\/div>\n\n
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In: MAIA CAVALCANTE, Maria Juraci; CARVALHO HOLANDA, Patr\u00edcia Helena; MARTINS TORRES, Ant\u00f4nia Lis de Maria (Org.). Tecnologias da Educa\u00e7\u00e3o: <\/span>Passado, Presente e Futuro. Fortaleza (CE): Edi\u00e7\u00f5es UFC, 2018; p. 311-324.<\/p>\n

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Huellas de lo sagrado en la modernidad.<\/h3><\/div><\/div>\n\n
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*em coautoria com <\/span>L\u00edgia Diogo<\/span><\/span>.<\/p>\n

In: INDIJ, Guido; SILVA, Ana (Org.)\u00a0Clic! Fotografia y Est\u00e9tica<\/span>. Buenos Aires: La marca, 2017; p.\u00a0131-135.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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Vitrinas de la intimidad en internet: \u00bfIm\u00e1genes para guardar o para mostrar?<\/h3><\/div><\/div>\n\n
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*em coautoria com <\/span>L\u00edgia Diogo<\/span><\/span>.<\/p>\n

In: INDIJ, Guido; SILVA, Ana (Org.)\u00a0Clic! Fotografia y Sociedad<\/span>. Buenos Aires: La marca, 2017;\u00a0p.103-109.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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La crisis de la escuela moderna: cuerpos, pantallas y redes.<\/h3><\/div><\/div>\n\n
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*em coautoria com Silvia Satulovsky.<\/span><\/div>\n
<\/span><\/span>In: SATULOVSKY, Silvia.\u00a0La escuela y sus escenas (in)c\u00f3modas<\/span>. Buenos Aires: Lugar Editorial, 2017.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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El cuerpo viejo como una imagen con fallas: La moral de la piel lisa y la censura medi\u00e1tica de la vejez. <\/h3><\/div><\/div>\n\n
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In: COSTA, Flavia; RODRIGUEZ, Pablo.\u00a0La salud inalcanzable:<\/span> Biopol\u00edtica molecular y medicalizaci\u00f3n de la vida cotidiana.\u00a0Buenos Aires: Eudeba, 2017; p\u00e1g. 65-90.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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Entre redes y paredes: Ense\u00f1ar y aprender en la cultura digital<\/h3><\/div><\/div>\n\n
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In: LUGO, Maria Teresa (Org.).\u00a0Entornos digitales y pol\u00edticas educativas:<\/span> dilemas y certezas. Buenos Aires: IIPE-UNESCO, 2016, p. 201-224.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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La escuela en el nuevo milenio: \u00bfC\u00f3mo encontrarse y aprender en tiempos tan enredados?<\/h3><\/div><\/div>\n\n

In: PEIRONE, Fernando (Org.).\u00a0Archivo F\u00edlmico Pedag\u00f3gico, J\u00f3venes y Escuelas<\/span>.\u00a0Buenos Aires: Ministerio de Educaci\u00f3n de la Naci\u00f3n, 2015; p. 41-53.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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A \"pornifica\u00e7\u00e3o\" do olhar: Uma genealogia do peito desnudado.<\/h3><\/div><\/div>\n\n

In:\u00a0PEL\u00daCIO, Larissa; PAIT, Helo\u00edsa; SABATINE, Thiago (Orgs).\u00a0No Emaranhado da Rede: <\/span>G\u00eanero, sexualidade e m\u00eddia, desafios te\u00f3ricos e metodol\u00f3gicos do presente.\u00a0S\u00e3o Paulo: Ed. Annablume\/FAPESP, Cole\u00e7\u00e3o Queer, 2015; p.15-48.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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The \"pornification\" of the gaze: A genealogy of the nude breast.<\/h3><\/div><\/div>\n\n

In: MELVILLE, Gert; RUTA, Carlos (Orgs).\u00a0Thinking the body as a basis, provocation and burden of life: <\/span>Studies in Intercultural and Historial Contexts. Berlin\/Boston: De Gruyter Oldenbourg, 2015; p. 205-223.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Culto al cuerpo purificado: Horror a la carne en la sociedad del espect\u00e1culo.<\/h3><\/div><\/div>\n\n

In: AMADO, Adriana; RINC\u00d3N, Omar. La comunicaci\u00f3n en mutaci\u00f3n<\/em> [Remix de discursos]. Bogot\u00e1, Col\u00f4mbia: FES Comunicaci\u00f3n y Friedrich Ebert Stiftung, 2015; p.87-95.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Transplante de rosto: A tecnoci\u00eancia entre Fausto e Frankenstein.<\/h3><\/div><\/div>\n\n

In: D\u00b4INCAO, Maria Angela (Org).\u00a0Dom\u00ednio das Tecnologias: <\/span>Ensaios em homenagem a Herm\u00ednio Martins. Presidente Venceslau, SP: Ed. Letras a Margem, 2015; p. 103-134.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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\u00a1Jam\u00e1s me ense\u00f1aron a educar!<\/h3><\/div><\/div>\n\n

In: ANTELO, Estanislao (Org).\u00a0Pedagog\u00edas silvestres:<\/span> Los caminos de la formaci\u00f3n. Goya, Argentina: Ed. Arandu, 2015; p. 236-258.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Do confinamento \u00e0 conex\u00e3o: As redes infiltram e subvertem os muros escolares.<\/h3><\/div><\/div>\n\n

In: CASTRO, Paula Almeida de (Org.).\u00a0Inova\u00e7\u00e3o, ci\u00eancia e tecnologia:<\/span> desafios e perspectivas na contemporaneidade. Campina Grande-PB: Editora Realize,\u00a02015; p. 21-48.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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A era da extimidade: O universo dom\u00e9stico sobe ao palco.<\/h3><\/div><\/div>\n\n

In: GUEDES GONDIM, Sonia Maria; DIAS BICHARA, Ilka (Orgs). A Psicologia e os desafios do mundo contempor\u00e2neo<\/span>. Salvador: EdUFBA, 2015; p. 155-173.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Amor.com: Relacionamentos sexuais e afetivos na era da hiperconex\u00e3o.<\/h3><\/div><\/div>\n\n

In: GLOBO (Org.).\u00a0Metamorfoses do amor<\/span>. Rio de Janeiro, RJ: Desenvolvimento Art\u00edstico,\u00a02014; p.\u00a0120-131.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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La era de la extimidad: El universo dom\u00e9stico se sube al escenario<\/h3><\/div><\/div>\n\n

In: VICENTE, Pedro; LAUDO, Alexandra (Ed.), Asuntos dom\u00e9sticos<\/em>. Huesca, Espanha: Ed. Diputaci\u00f3n de Huesca; 2014; p. 35-47.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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El cuerpo viejo como una imagen con fallas: La moral de la piel lisa y la censura medi\u00e1tica de la vejez.<\/h3><\/div><\/div>\n\n

In: CARBONE de MORA, Giancarlo; QUEZADA, Oscar (Orgs.).\u00a0Comunicaci\u00f3n e industria digital: 14.0 Encuentro Latinoamericano de Facultades de Comunicaci\u00f3n Social\u00a0<\/span>Lima, Per\u00fa: Ed. Universidad de Lima, 2014; p. 47-67.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Sue\u00f1os de reprogramaci\u00f3n corporal: Para doblegar t\u00e9cnicamente a la cat\u00e1strofe... \u00bfo quiz\u00e1s para provocarla?<\/h3><\/div><\/div>\n\n

In: ABAROA, Eduardo (Org.). Cat\u00e1logo IX SITAC 2011<\/em>: Simposio Internacional de Teor\u00eda Sobre Arte Contempor\u00e1neo. M\u00e9xico: SITAC, 2013; p. 142-157.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Mudar de rosto: tecnoci\u00eancia, mercado e imagin\u00e1rio digital<\/h3><\/div><\/div>\n\n

In: CID de GARCIA, Gabriel (Org). Ci\u00eancia em Foco: <\/span>pensar com o cinema, Volume 2. Rio de Janeiro: Casa da Ci\u00eancia da UFRJ\/Garamond, 2013; p. 163-19.<\/span><\/span><\/p>\n<\/div><\/div>\n<\/div>\n\n

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Os corpos vis\u00edveis na contemporaneidade: Da purifica\u00e7\u00e3o midi\u00e1tica \u00e0 explicita\u00e7\u00e3o art\u00edstica.<\/h3><\/div><\/div>\n\n

In: BRASIL, Andr\u00e9; LISSOVSKY, Maur\u00edcio; MORETTIN, Eduardo (Orgs.). Visualidades hoje<\/em>. Bras\u00edlia e Salvador: Comp\u00f3s-EDUFBA, 2013; p. 119-136.<\/span><\/span><\/p>\n<\/div><\/div>\n<\/div>\n\n

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A escola no mundo hiper-conectado: Redes em vez de muros?<\/h3><\/div><\/div>\n\n

In: SARAIVA, Karla; MARCELLO, Fabiana de Amorim (Orgs.) Estudos Culturais e Educa\u00e7\u00e3o:<\/em> desafios atuais. Canoas, RS: Ed. ULBRA, 2012; p. 187-204.<\/span><\/span><\/p>\n<\/div><\/div>\n<\/div>\n\n

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A t\u00e9cnica contra o acaso: Os corpos inter-hiper-ativos da contemporaneidade.<\/h3><\/div><\/div>\n\n

In: FERRAZ, Maria Cristina Franco e BARON, Lia (Orgs.). Pot\u00eancias e pr\u00e1ticas do acaso: <\/em><\/span>o acaso na filosofia, na cultura e nas artes ocidentais. Rio de Janeiro: Garamond\/FAPERJ, 2012; p. 177-192<\/span>. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/p>\n

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Videos confesionales: Narrativas de s\u00ed y exhibici\u00f3n de la intimidad en internet.<\/h3><\/div><\/div>\n\n

<\/span>In: ARIAS, Juan Carlos; COGUA, Camilo; L\u00d3PEZ, Jos\u00e9 Alejandro; PIEDRAHITA, Ang\u00e9lica (Orgs). Codificar\/Decodificar: <\/em>Pr\u00e1cticas, espacios y temporalidades del audiovisual en internet. Bogot\u00e1: Ed. Pontificia Universidad Javeriana, 2012; p. 37-52.<\/p>\n

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Imagens de corpos velhos: A moral da pele lisa nos meios gr\u00e1ficos e audiovisuais.<\/h3><\/div><\/div>\n\n

<\/span>In: COUTO, Edvaldo Souza; GOELLNER, Silvana (Orgs.) O triunfo do corpo: <\/em>pol\u00eamicas contempor\u00e2neas. Petr\u00f3polis: Ed. Vozes: 2012; p. 145-160.
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The eclipse of the modern inner world and the search for spectacular happiness.<\/h3><\/div><\/div>\n\n

<\/span>In: GONZALEZ, Antonio. Life to come<\/em>: Challenges, enigmas, change and repetition after crisis. Las Palmas: Ed. IB2, 2011; p. 151-196.<\/em><\/p>\n<\/div><\/div>\n<\/div>\n\n

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El eclipse de la interioridad moderna y la b\u00fasqueda de una felicidad espectacular. <\/h3><\/div><\/div>\n\n
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In: GONZALEZ, Antonio. La vida que viene: <\/em>Desaf\u00edos, enigmas, cambio y repetici\u00f3n despu\u00e9s de la crisis. Madri: Ed. Seminario Atl\u00e1ntico\/La Oficina, 2011; p. 87-106.<\/p>\n

The eclipse of the modern inner world and the search for espectacular happiness. In: GONZALEZ, Antonio. The life to come:<\/span> Challenges, enigmas, change and repeat after the crisis. Las Palmas: Ed. IB2, 2011; p. 151-196.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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O corpo estranho: Org\u00e2nico, demasiadamente org\u00e2nico.<\/h3><\/div><\/div>\n\n

In: CAPISTRANO, Tadeu (Org). O cinema em carne viva: <\/em>David Cronenberg. S\u00e3o Paulo: Centro Cultural Banco do Brasil e WSET Ed., 2011, p. 99-102.<\/p>\n

The strange body: Organic, all too organic. In: CAPISTRANO, Tadeu (Org). O cinema em carne viva: <\/span>David Cronenberg. S\u00e3o Paulo: Centro Cultural Banco do Brasil e WSET Editora , 2011,\u00a0p. 178-180.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Mutaciones de la subjetividad: La exhibici\u00f3n de la intimidad como un eclipse de la \u201cinterioridad\u201d.<\/h3><\/div><\/div>\n\n

In: PERONE, Juan Carlos (Org).\u00a0La intimidad:<\/span> un problema actual del psicoan\u00e1lisis. Buenos Aires: Psicolibro Ediciones, 2011; p.15-61.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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A moral da pele lisa e a censura midi\u00e1tica da velhice: O corpo velho como uma imagem com falhas. <\/h3><\/div><\/div>\n\n

In: GOLDENBERG, Mirian (Org.). Corpo, envelhecimento e felicidade.<\/em> Rio de Janeiro: Ed. Civiliza\u00e7\u00e3o Brasileira, 2011; p. 83-108.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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O sonho da reprograma\u00e7\u00e3o corporal: Biotecnologias, ci\u00eancias da vida e produ\u00e7\u00e3o de subjetividade na sociedade contempor\u00e2nea. <\/h3><\/div><\/div>\n\n

In: NEUTZLING, In\u00e1cio; RUIZ, Castor M.M. Bartolom\u00e9 (Orgs.).\u00a0O (des)governo biopol\u00edtico da vida humana<\/em>. S\u00e3o Leopoldo-RS: Unisinos e Casa Leiria, 2011; p. 123-145.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Est\u00e9tica de la vida informatizada: Cuerpos compatibles con las tecnolog\u00edas del tele-control. <\/h3><\/div><\/div>\n\n

In: WOLFER, Jos\u00e9; JASSO, Karla (Orgs.). (In)posici\u00f3n Din\u00e1mica: <\/span>Ars Electronica MX. M\u00e9xico: FMX, Fest. de M\u00e9xico, 2010; p. 181-185; tradu\u00e7\u00f5es 186-196.<\/p>\n

Aesthetics of digital lives: Bodies compatible with tele-control technologies.\u00a0<\/p>\n

In: WOLFER, Jos\u00e9; JASSO, Karla (Orgs.). (In)posici\u00f3n Din\u00e1mica: <\/span>Ars Electronica MX. M\u00e9xico: FMX, Fest. de M\u00e9xico, 2010; p. 186-196.<\/p>\n

\u00c4sthetik des informalisierten Lebens: K\u00f6rper, die mit den Technologien der Fernbedienung kompatibel sind.\u00a0In: WOLFER, Jos\u00e9; JASSO, Karla (Orgs.). (In)posici\u00f3n Din\u00e1mica:<\/span> Ars Electronica MX. M\u00e9xico: FMX, Fest. de M\u00e9xico, 2010; p. 186-196.<\/p>\n<\/div><\/div>\n<\/div>\n\n

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Imagens de fam\u00edlia na internet: Fotografias \u00edntimas na grande vitrine virtual.<\/h3><\/div><\/div>\n\n
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*em coautoria com L\u00edgia Diogo<\/span>.<\/p>\n

In: SOUZA COUTO, Edvaldo; BRITO ROCHA, Telma (Org.) A vida no Orkut:\u00a0<\/em>Narrativas e aprendizagens nas redes sociais. Salvador: EdUFBA, 2010; p.33-55.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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\u00bfEs posible uma escuela post-disciplinaria? \u00bfY ser\u00eda deseable?<\/h3><\/div><\/div>\n\n
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In: PEIRONE, Fernando. La educaci\u00f3n alterada: <\/em>Aproximaciones a la escuela del siglo veintiuno. C\u00f3rdoba (Argentina): Ed. Salida al Mar, 2010; p.163-193.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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Em busca da felicidade lipoaspirada: agruras da imperfei\u00e7\u00e3o carnal sob a moral da boa forma.<\/h3><\/div><\/div>\n\n
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In: FREIRE FILHO, Jo\u00e3o. Ser feliz hoje: <\/span>Reflex\u00f5es sobre o imperativo da felicidade. Rio de Janeiro: Ed. Funda\u00e7\u00e3o Get\u00falio Vargas, 2010; 195-212.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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O artista como performer: Dilemas do eu espetacular nas artes contempor\u00e2neas.<\/h3><\/div><\/div>\n\n
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In: LABRA, Daniela (Org.). Performance Presente Futuro,<\/em> vol. II. Rio de Janeiro: Ed. Aeroplano e Oi Futuro, 2010; p.14-20.\u00a0<\/p>\n

The artist as performer: Dilemmas of the espectacular self in contemporary arts. \u00a0In: LABRA, Daniela (Org.). Performance Presente Futuro<\/span>, vol. II. Rio de Janeiro: Ed. Aeroplano e Oi Futuro, 2010; p. 115-118.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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A tecnoci\u00eancia contempor\u00e2nea e a ultrapassagem de limites: uma muta\u00e7\u00e3o antropol\u00f3gica?.<\/h3><\/div><\/div>\n\n
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In: NETZLING, In\u00e1cio; CARNEIRO de ANDRADE, Paulo Fernando (Orgs.). Uma sociedade p\u00f3s-humana: <\/span>Possibilidades e limites das nanotecnologias. S\u00e3o Leopoldo-RS: Editoria Unisinos, 2009; p. 123-140.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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O corpo modelado como imagem: O sacrif\u00edcio da carne pela pureza digital.<\/h3><\/div><\/div>\n\n
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In: RIBEIRO, Paula Regina Costa; SILVA, M\u00e9ri Rosane Santos e GOELLNER, Silvana Vilodre (Orgs.). Corpo, g\u00eanero e sexualidade:\u00a0<\/em>Composi\u00e7\u00f5es e desafios para a forma\u00e7\u00e3o docente. Rio Grande (RS): Editora FURG (Universidade Federal do Rio Grande), 2009, p. 33-41.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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O corpo reinventado pela imagem.<\/h3><\/div><\/div>\n\n
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In: DIOGO, L\u00edgia; FURLONI, Alvaro; KOLB, David; SIVOLELLA, Alexandre (Orgs.). 1968, Cinema, Utopia e Revolu\u00e7\u00e3o<\/em>. S\u00e3o Paulo: Caixa Cultural S\u00e3o Paulo, 2008, p. 56-59.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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Em busca da aura perdida: Espetacularizar a intimidade para ser algu\u00e9m.<\/h3><\/div><\/div>\n\n
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In: ANTOUN, Henrique (Org). WEB 2.0: <\/em>Participa\u00e7\u00e3o e vigil\u00e2ncia na era da comunica\u00e7\u00e3o distribu\u00edda. Rio de Janeiro: Ed. Mauad, 2008; p. 241-260.\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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Clique aqui para apagar m\u00e1s lembran\u00e7as: A digitaliza\u00e7\u00e3o do c\u00e9rebro em busca da felicidade.<\/h3><\/div><\/div>\n\n
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In: FREIRE FILHO, Jo\u00e3o; PAIVA, Raquel; COUTINHO, Eduardo (Orgs). M\u00eddia e poder: <\/em>Discurso, ideologia e subjetividade. Rio de Janeiro: Ed Mauad X, 2008; p. 157-185.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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Gattaca: Entre o livre arb\u00edtrio e o determinismo gen\u00e9tico.<\/h3><\/div><\/div>\n\n
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In: CID, Grabriel; COIMBRA, Carlos A. Q. (Org.). Ci\u00eancia em foco: <\/em>O olhar pelo cinema. Rio de Janeiro: Ed. Garamond, MAST e FAPERJ, 2008; p. 25-64.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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O show da vida \u00edntima na internet: blogs, fotologs, videologs, orkut e webcams<\/h3><\/div><\/div>\n\n
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In: CAIAFA, Janice; ElHAJJI, Mohammed (Org.). Comunica\u00e7\u00e3o e Sociabilidade: <\/em>cen\u00e1rios contempor\u00e2neos. Rio de Janeiro: Ed. Mauad, 2007; p. 181-199.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n
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Reinvenciones cosmol\u00f3gicas: Del mundo mec\u00e1nico al universo digital.<\/h3><\/div><\/div>\n\n
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In: LA FERLA, Jorge (Org.). El medio es el dise\u00f1o audiovisual<\/span>. Manizales, Col\u00f4mbia: Editorial Universidad de Caldas, 2007; p. 609-613.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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The Post-Organic Man: the obsolete body and the tyrannies of the upgrade.<\/h3><\/div><\/div>\n\n
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In: MENDES, Candido e LARRETA, Enrique (Orgs.).\u00a0Subjectivity in the threshold of the digital culture: <\/span>the self in network. Rio de Janeiro: Ed. UNESCO \/ ISSC \/ EDUCAM, 2007; p. 278-305.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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Et\u00e9reas pris\u00f5es do corpo: Da alma (anal\u00f3gica) \u00e0 informa\u00e7\u00e3o (digital).<\/h3><\/div><\/div>\n\n
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In: QUEIROZ, Andr\u00e9; VELASCO e CRUZ, Nina (Org.). Foucault hoje?<\/em>. Rio de Janeiro: Ed. Sete Letras, 2007; p. 130-139.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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Cirurgi\u00f5es pl\u00e1sticos: da beleza como dom divino aos imperativos f\u00e1usticos.<\/h3><\/div><\/div>\n\n
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In: VILLAVERDE CABRAL, Manuel; GARCIA, Jos\u00e9 Luis; JER\u00d3NIMO, Helena Mateus (Orgs.). Raz\u00e3o, Tempo e Tecnologia: <\/em>Estudos em Homenagem a Herm\u00ednio Martins. Lisboa: Ed. ICS, Imprensa de Ci\u00eancias Sociais, 2006;\u00a0 p. 441-460.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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El yo de los blogs. <\/h3><\/div><\/div>\n\n
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In: ALONSO, Rodrigo; SARD\u00d3N, Mariano (Orgs). Inter\/activos: <\/em>Espacio, Informaci\u00f3n, Conectividad. Buenos Aires: Ed. Espacio Telef\u00f3nica, 2006; p. 24-31.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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El bistur\u00ed de software: \u00bfC\u00f3mo hacer un \u201ccuerpo bello\u201d virtualizando la carne impura?<\/h3><\/div><\/div>\n\n
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In: ESPINOSA, Susana (Org.). Escritos sobre Audiovisi\u00f3n: <\/em>Lenguajes, Tecnolog\u00edas, Producciones, v. 2. Buenos Aires: EdUNLa, 2006; p. 17-30.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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O corpo editado e a carne impura.<\/h3><\/div><\/div>\n\n
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In: GARCIA, Wilton (Org.). Corpo e Subjetividade: <\/em>estudos contempor\u00e2neos. S\u00e3o Paulo: Ed. Factash, 2006; p. 97-107.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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O bisturi de software: Como fazer um \u201ccorpo belo\u201d virtualizando a carne impura?<\/h3><\/div><\/div>\n\n
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In: ARA\u00daJO, Denize (Org.). Imagem (IR) Realidade<\/em>. Porto Alegre: Ed. Sulina, 2006; p. 271-289.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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Blogs, fotologs y webcams: El show del yo v\u00eda Internet.<\/h3><\/div><\/div>\n\n
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In: HERN\u00c1NDEZ, Iliana (Org.). Relaciones entre est\u00e9tica, ciencia y tecnolog\u00eda<\/em>. Bogot\u00e1: Ed. Pontificia Universidad Javeriana, 2005; p. 261-286.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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A digitaliza\u00e7\u00e3o dos corpos: Do rob\u00f4 ao c\u00f3digo gen\u00e9tico.<\/h3><\/div><\/div>\n\n
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In: BENTES, Ivana (Org.). Corpos Virtuais<\/span>. Rio de Janeiro: Ed. Centro Cultural Telemar, Cole\u00e7\u00e3o Arte e Tecnologia, v. 1, 2005; p. 118-121.<\/p>\n

The Digitalization of the Body: From the Robot to Genetic Code; p. 166-168.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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Os di\u00e1rios \u00edntimos na Internet e a crise da interioridade psicol\u00f3gica.<\/h3><\/div><\/div>\n\n
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In: LEMOS, Andr\u00e9 e CUNHA, Paulo (Orgs). Olhares sobre a Cibercultura<\/em>. Porto Alegre: Ed. Sulina, 2003; p. 139 a 152.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n

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