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In: PUIG PUNYET, Enric. (Org.). Exponer, no exponerse, exponerse, no exponer. 1ed.Barcelona: Editorial Galaxia Gutenberg, 2022, v. , p. 29-38.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/www.amazon.com.br\/Exponer-exponerse-Centre-darts-M%C3%B2nica\/dp\/8419392766\/ref=sr_1_4?dib=eyJ2IjoiMSJ9.K5x5tjkDc7KMex-za38U85vHTirZlrVu7rCsIRs1JuLrNneqNIVvSLYUcJVwggLiiK8rIOr66GjHmQ6I8a1IfWpWasEjUkICIdPRMrMrL58._pATnC7prpaUg7TtUTmEXoD_1MMEW097mDXCdL4LE1U&dib_tag=se&qid=1729564676&refinements=p_27%3ACentre+d%27arts+Santa+M%C3%B2nica&s=books&sr=1-4&text=Centre+d%27arts+Santa+M%C3%B2nica” url_new_window=”on” button_text=”info” _builder_version=”4.27.2″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/61FC4FpiL7L._SL1000_.jpg” title_text=”61FC4FpiL7L._SL1000_” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Jo a la vitrina. Entre la autoficci\u00f3 i el miratge del que \u00e9s real” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: PUIG PUNYET, Enric. (Org.). Esposar. No exposar-se. Exposar-se. No exposar.. 1ed.Barcelona: Editorial Galaxia Gutenberg, 2022, v. , p. 27-36.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: CAMINADA, Luc\u00eda; GON\u00c7ALVES, Fernando. (Org.). Pol\u00edticas y narrativas del cuerpo \/ Politiques et r\u00e9cits du corps \/ Politics and Narratives of the Body. 1ed.Corrientes \/ Perugia: Editorial de la Universidad Nacional del Nordeste EUDENE \/ Ceneri Rosse, 2022, v. 1, p. 614-634.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/www.academia.edu\/94235285\/Libro_Livre_Book_Poli_ticas_y_narrativas_del_cuerpo_Politiques_et_re_cits_du_corps_Politiques_and_narratives_of_the_body” url_new_window=”on” button_text=”info” _builder_version=”4.27.2″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/La-vida-digital-de-los-medios-y-la-comunicacion.jpg” title_text=”La-vida-digital-de-los-medios-y-la-comunicacio\u0301n.” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”\u00bfAutenticidad o performance? La construcci\u00f3n de s\u00ed mismo como un personaje realista” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: AFRICANO, Leandro (Org). La vida digital de los medios y la comunicaci\u00f3n.<\/span> Ensayos sobre las audiencias, el contenido y los negocios en Internet. Buenos Aires: Editorial Granica, 2020; p. 186-205.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: SOUZA SALES, Mary Valda. (Org.). Tecnologias digitais, redes e educa\u00e7\u00e3o: perspectivas contempor\u00e2neas. 1ed.Salvador (BA): EdUFBA, 2020, v. 1, p. 29-40<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: CHAPUY, Elizabet (et al). (Org.).Fronteras. 1ed.Montevid\u00e9u: FEPAL \/ Viento de Fondo, 2020, v. 1, p. 984-987.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: CHAPUY, Elizabet (et al). (Org.).Fronteras. 1ed.Montevid\u00e9u: FEPAL \/ Viento de Fondo, 2020, v. 1, p. 984-987.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/www.academia.edu\/44891619\/FEPAL_2020_Primeiro_Congresso_Virtual_Fronteiras” url_new_window=”on” button_text=”info” _builder_version=”4.27.2″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/SESC_CETICbr-Cultura_educacao_e_tecnologias_em_debate_volume-3-1.jpg” title_text=”SESC_CETICbr-Cultura_educacao_e_tecnologias_em_debate_volume-3-1″ admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A crise da escola entre redes e paredes: dispositivos digitais e novas subjetividades.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: ALMEIDA, Fernando; TORREZAN, Gustavo; LIMA, Luciana, CATELLI, Rosana. (Org.). Cultura, Educa\u00e7\u00e3o e Tecnologias em Debate, volume 3.. 1ed.S\u00e3o Paulo: SESC, 2020, v. 3, p. 32-39.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/bibliotecadigital.acervo.nic.br\/bitstreams\/e73da2c1-be1d-406b-8c29-828bc43a0643\/download” url_new_window=”on” button_text=”info” _builder_version=”4.27.2″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/10\/Coletanea-Comunicacao-e-Saude.jpg” title_text=”Coletanea Comunicacao e Saude” admin_label=”capa” _builder_version=”4.27.2″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A otimiza\u00e7\u00e3o de si: redefini\u00e7\u00f5es da sa\u00fade e da doen\u00e7a na m\u00eddia contempor\u00e2nea.” admin_label=”t\u00edtulo” _builder_version=”4.27.2″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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Em coautoria com Marianna Ferreira Jorge.<\/p>\n

In: SACRAMENTO, Igor; SANCHES, J\u00falio C\u00e9sar. (Org.). Dispositivos de subjetiva\u00e7\u00e3o: sa\u00fade, cultura e m\u00eddia. 1ed.Rio de Janeiro: Multifoco, 2019, v. 1, p. 84-110.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Cuerpo.png” title_text=”Cuerpo” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Ciborg: On\/Off” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.27.2″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: ALARC\u00d3N, Cristian (Org). Cuerpo<\/span>. Buenos Aires: Anfibia Papel, 2019; p. 148-157.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/x.gd\/hHHVb” url_new_window=”on” button_text=”info” _builder_version=”4.25.0″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Tecnopoliticas.jpg” title_text=”Tecnopoli\u0301ticas” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Voc\u00ea \u00e9 o que Google diz que voc\u00ea \u00e9: A vida edit\u00e1vel, entre controle e espet\u00e1culo” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: BRUNO, Fernanda; CARDOSO, Bruno; KANASHIRO, Marta; GUILHON, Luciana; MELGA\u00c7O, Lucas (Orgs.). Tecnopol\u00edticas da vigil\u00e2ncia<\/em>: perspectivas da margem.<\/div>\n
S\u00e3o Paulo: Ed. Boitempo, 2018; p. 199-216.<\/div>\n<\/div>\n<\/div>\n

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In: MAIA CAVALCANTE, Maria Juraci; CARVALHO HOLANDA, Patr\u00edcia Helena; MARTINS TORRES, Ant\u00f4nia Lis de Maria (Org.). Tecnologias da Educa\u00e7\u00e3o: <\/span>Passado, Presente e Futuro. Fortaleza (CE): Edi\u00e7\u00f5es UFC, 2018; p. 311-324.<\/p>\n

\u200b<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Clic-Fotografia-y-Estetica01.jpg” title_text=”Clic- Fotografia y Este\u0301tica01″ admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Huellas de lo sagrado en la modernidad.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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*em coautoria com <\/span>L\u00edgia Diogo<\/span><\/span>.<\/p>\n

In: INDIJ, Guido; SILVA, Ana (Org.)\u00a0Clic! Fotografia y Est\u00e9tica<\/span>. Buenos Aires: La marca, 2017; p.\u00a0131-135.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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*em coautoria com <\/span>L\u00edgia Diogo<\/span><\/span>.<\/p>\n

In: INDIJ, Guido; SILVA, Ana (Org.)\u00a0Clic! Fotografia y Sociedad<\/span>. Buenos Aires: La marca, 2017;\u00a0p.103-109.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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*em coautoria com Silvia Satulovsky.<\/span><\/div>\n
<\/span><\/span>In: SATULOVSKY, Silvia.\u00a0La escuela y sus escenas (in)c\u00f3modas<\/span>. Buenos Aires: Lugar Editorial, 2017.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: COSTA, Flavia; RODRIGUEZ, Pablo.\u00a0La salud inalcanzable:<\/span> Biopol\u00edtica molecular y medicalizaci\u00f3n de la vida cotidiana.\u00a0Buenos Aires: Eudeba, 2017; p\u00e1g. 65-90.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: LUGO, Maria Teresa (Org.).\u00a0Entornos digitales y pol\u00edticas educativas:<\/span> dilemas y certezas. Buenos Aires: IIPE-UNESCO, 2016, p. 201-224.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: PEIRONE, Fernando (Org.).\u00a0Archivo F\u00edlmico Pedag\u00f3gico, J\u00f3venes y Escuelas<\/span>.\u00a0Buenos Aires: Ministerio de Educaci\u00f3n de la Naci\u00f3n, 2015; p. 41-53.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/No-Emaranhado-da-Rede.jpg” title_text=”No Emaranhado da Rede” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A %22pornifica\u00e7\u00e3o%22 do olhar: Uma genealogia do peito desnudado.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In:\u00a0PEL\u00daCIO, Larissa; PAIT, Helo\u00edsa; SABATINE, Thiago (Orgs).\u00a0No Emaranhado da Rede: <\/span>G\u00eanero, sexualidade e m\u00eddia, desafios te\u00f3ricos e metodol\u00f3gicos do presente.\u00a0S\u00e3o Paulo: Ed. Annablume\/FAPESP, Cole\u00e7\u00e3o Queer, 2015; p.15-48.<\/p>\n

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In: MELVILLE, Gert; RUTA, Carlos (Orgs).\u00a0Thinking the body as a basis, provocation and burden of life: <\/span>Studies in Intercultural and Historial Contexts. Berlin\/Boston: De Gruyter Oldenbourg, 2015; p. 205-223.<\/p>\n

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In: AMADO, Adriana; RINC\u00d3N, Omar. La comunicaci\u00f3n en mutaci\u00f3n<\/em> [Remix de discursos]. Bogot\u00e1, Col\u00f4mbia: FES Comunicaci\u00f3n y Friedrich Ebert Stiftung, 2015; p.87-95.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/library.fes.de\/pdf-files\/bueros\/la-comunicacion\/14230.pdf” url_new_window=”on” button_text=”info” _builder_version=”4.25.0″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/dominio-tecnologias.jpg” title_text=”dominio-tecnologias” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Transplante de rosto: A tecnoci\u00eancia entre Fausto e Frankenstein.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: D\u00b4INCAO, Maria Angela (Org).\u00a0Dom\u00ednio das Tecnologias: <\/span>Ensaios em homenagem a Herm\u00ednio Martins. Presidente Venceslau, SP: Ed. Letras a Margem, 2015; p. 103-134.<\/p>\n

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In: ANTELO, Estanislao (Org).\u00a0Pedagog\u00edas silvestres:<\/span> Los caminos de la formaci\u00f3n. Goya, Argentina: Ed. Arandu, 2015; p. 236-258.<\/p>\n

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In: CASTRO, Paula Almeida de (Org.).\u00a0Inova\u00e7\u00e3o, ci\u00eancia e tecnologia:<\/span> desafios e perspectivas na contemporaneidade. Campina Grande-PB: Editora Realize,\u00a02015; p. 21-48.<\/p>\n

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In: GUEDES GONDIM, Sonia Maria; DIAS BICHARA, Ilka (Orgs). A Psicologia e os desafios do mundo contempor\u00e2neo<\/span>. Salvador: EdUFBA, 2015; p. 155-173.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Metamorfoses-do-amor.png” title_text=”Metamorfoses do amor” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Amor.com: Relacionamentos sexuais e afetivos na era da hiperconex\u00e3o.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: GLOBO (Org.).\u00a0Metamorfoses do amor<\/span>. Rio de Janeiro, RJ: Desenvolvimento Art\u00edstico,\u00a02014; p.\u00a0120-131.<\/p>\n

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In: VICENTE, Pedro; LAUDO, Alexandra (Ed.), Asuntos dom\u00e9sticos<\/em>. Huesca, Espanha: Ed. Diputaci\u00f3n de Huesca; 2014; p. 35-47.<\/p>\n

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In: CARBONE de MORA, Giancarlo; QUEZADA, Oscar (Orgs.).\u00a0Comunicaci\u00f3n e industria digital: 14.0 Encuentro Latinoamericano de Facultades de Comunicaci\u00f3n Social\u00a0<\/span>Lima, Per\u00fa: Ed. Universidad de Lima, 2014; p. 47-67.<\/p>\n

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In: ABAROA, Eduardo (Org.). Cat\u00e1logo IX SITAC 2011<\/em>: Simposio Internacional de Teor\u00eda Sobre Arte Contempor\u00e1neo. M\u00e9xico: SITAC, 2013; p. 142-157.<\/p>\n

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In: CID de GARCIA, Gabriel (Org). Ci\u00eancia em Foco: <\/span>pensar com o cinema, Volume 2. Rio de Janeiro: Casa da Ci\u00eancia da UFRJ\/Garamond, 2013; p. 163-19.<\/span><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Visualidades-hoje.jpg” title_text=”Visualidades hoje” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Os corpos vis\u00edveis na contemporaneidade: Da purifica\u00e7\u00e3o midi\u00e1tica \u00e0 explicita\u00e7\u00e3o art\u00edstica.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: BRASIL, Andr\u00e9; LISSOVSKY, Maur\u00edcio; MORETTIN, Eduardo (Orgs.). Visualidades hoje<\/em>. Bras\u00edlia e Salvador: Comp\u00f3s-EDUFBA, 2013; p. 119-136.<\/span><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/estudos-culturais.jpg” title_text=”estudos-culturais” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A escola no mundo hiper-conectado: Redes em vez de muros?” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: SARAIVA, Karla; MARCELLO, Fabiana de Amorim (Orgs.) Estudos Culturais e Educa\u00e7\u00e3o:<\/em> desafios atuais. Canoas, RS: Ed. ULBRA, 2012; p. 187-204.<\/span><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Potencias-e-praticas-do-acaso.jpg” title_text=”Pote\u0302ncias-e-pra\u0301ticas-do-acaso” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A t\u00e9cnica contra o acaso: Os corpos inter-hiper-ativos da contemporaneidade.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: FERRAZ, Maria Cristina Franco e BARON, Lia (Orgs.). Pot\u00eancias e pr\u00e1ticas do acaso: <\/em><\/span>o acaso na filosofia, na cultura e nas artes ocidentais. Rio de Janeiro: Garamond\/FAPERJ, 2012; p. 177-192<\/span>. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/p>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Codificar-Decodificar.jpg” title_text=”Codificar-Decodificar” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Videos confesionales: Narrativas de s\u00ed y exhibici\u00f3n de la intimidad en internet.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

<\/span>In: ARIAS, Juan Carlos; COGUA, Camilo; L\u00d3PEZ, Jos\u00e9 Alejandro; PIEDRAHITA, Ang\u00e9lica (Orgs). Codificar\/Decodificar: <\/em>Pr\u00e1cticas, espacios y temporalidades del audiovisual en internet. Bogot\u00e1: Ed. Pontificia Universidad Javeriana, 2012; p. 37-52.<\/p>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/x.gd\/n6PUw” url_new_window=”on” button_text=”info” _builder_version=”4.25.0″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/O-triunfo-do-corpo.jpg” title_text=”O-triunfo-do-corpo” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Imagens de corpos velhos: A moral da pele lisa nos meios gr\u00e1ficos e audiovisuais.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

<\/span>In: COUTO, Edvaldo Souza; GOELLNER, Silvana (Orgs.) O triunfo do corpo: <\/em>pol\u00eamicas contempor\u00e2neas. Petr\u00f3polis: Ed. Vozes: 2012; p. 145-160.
<\/em><\/p>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Life-to-come-1.jpg” title_text=”Life-to-come-1″ admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”The eclipse of the modern inner world and the search for spectacular happiness.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

<\/span>In: GONZALEZ, Antonio. Life to come<\/em>: Challenges, enigmas, change and repetition after crisis. Las Palmas: Ed. IB2, 2011; p. 151-196.<\/em><\/p>\n

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In: GONZALEZ, Antonio. La vida que viene: <\/em>Desaf\u00edos, enigmas, cambio y repetici\u00f3n despu\u00e9s de la crisis. Madri: Ed. Seminario Atl\u00e1ntico\/La Oficina, 2011; p. 87-106.<\/p>\n

The eclipse of the modern inner world and the search for espectacular happiness. In: GONZALEZ, Antonio. The life to come:<\/span> Challenges, enigmas, change and repeat after the crisis. Las Palmas: Ed. IB2, 2011; p. 151-196.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/la-vida-que-viene.pdf” url_new_window=”on” button_text=”info” _builder_version=”4.25.0″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/CronembergCinema-1.jpg” title_text=”CronembergCinema-1″ admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O corpo estranho: Org\u00e2nico, demasiadamente org\u00e2nico.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: CAPISTRANO, Tadeu (Org). O cinema em carne viva: <\/em>David Cronenberg. S\u00e3o Paulo: Centro Cultural Banco do Brasil e WSET Ed., 2011, p. 99-102.<\/p>\n

The strange body: Organic, all too organic. In: CAPISTRANO, Tadeu (Org). O cinema em carne viva: <\/span>David Cronenberg. S\u00e3o Paulo: Centro Cultural Banco do Brasil e WSET Editora , 2011,\u00a0p. 178-180.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/www.bb.com.br\/docs\/pub\/inst\/dwn\/CronembergCinema.pdf” url_new_window=”on” button_text=”info” _builder_version=”4.25.0″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/la-intimidad-un-problema-actual-del-psicoanalisis.jpg” title_text=”la-intimidad-un-problema-actual-del-psicoanalisis” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Mutaciones de la subjetividad: La exhibici\u00f3n de la intimidad como un eclipse de la \u201cinterioridad\u201d.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: PERONE, Juan Carlos (Org).\u00a0La intimidad:<\/span> un problema actual del psicoan\u00e1lisis. Buenos Aires: Psicolibro Ediciones, 2011; p.15-61.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/x.gd\/hdMWA” url_new_window=”on” button_text=”info” _builder_version=”4.25.0″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Corpo-envelhecimento-e-felicidade.jpg” title_text=”Corpo, envelhecimento e felicidade” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A moral da pele lisa e a censura midi\u00e1tica da velhice: O corpo velho como uma imagem com falhas. ” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: GOLDENBERG, Mirian (Org.). Corpo, envelhecimento e felicidade.<\/em> Rio de Janeiro: Ed. Civiliza\u00e7\u00e3o Brasileira, 2011; p. 83-108.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/desgoverno.jpg” title_text=”desgoverno” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”O sonho da reprograma\u00e7\u00e3o corporal: Biotecnologias, ci\u00eancias da vida e produ\u00e7\u00e3o de subjetividade na sociedade contempor\u00e2nea. ” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: NEUTZLING, In\u00e1cio; RUIZ, Castor M.M. Bartolom\u00e9 (Orgs.).\u00a0O (des)governo biopol\u00edtico da vida humana<\/em>. S\u00e3o Leopoldo-RS: Unisinos e Casa Leiria, 2011; p. 123-145.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/www.ihuonline.unisinos.br\/media\/pdf\/IHUOnlineEdicao343.pdf” url_new_window=”on” button_text=”info” _builder_version=”4.25.0″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Inposicion-Dinamica.jpg” title_text=”(In)posicio\u0301n-Dina\u0301mica” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Est\u00e9tica de la vida informatizada: Cuerpos compatibles con las tecnolog\u00edas del tele-control. ” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

In: WOLFER, Jos\u00e9; JASSO, Karla (Orgs.). (In)posici\u00f3n Din\u00e1mica: <\/span>Ars Electronica MX. M\u00e9xico: FMX, Fest. de M\u00e9xico, 2010; p. 181-185; tradu\u00e7\u00f5es 186-196.<\/p>\n

Aesthetics of digital lives: Bodies compatible with tele-control technologies.\u00a0<\/p>\n

In: WOLFER, Jos\u00e9; JASSO, Karla (Orgs.). (In)posici\u00f3n Din\u00e1mica: <\/span>Ars Electronica MX. M\u00e9xico: FMX, Fest. de M\u00e9xico, 2010; p. 186-196.<\/p>\n

\u00c4sthetik des informalisierten Lebens: K\u00f6rper, die mit den Technologien der Fernbedienung kompatibel sind.\u00a0In: WOLFER, Jos\u00e9; JASSO, Karla (Orgs.). (In)posici\u00f3n Din\u00e1mica:<\/span> Ars Electronica MX. M\u00e9xico: FMX, Fest. de M\u00e9xico, 2010; p. 186-196.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/x.gd\/1wJTH” url_new_window=”on” button_text=”info” _builder_version=”4.25.0″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”0px” button_letter_spacing=”1px” button_font=”Poppins|300||on|||||” button_icon=”||divi||400″ custom_padding=”|30px||30px|false|false” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”7px” box_shadow_spread=”-10px” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/orkut.jpg” title_text=”orkut” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Imagens de fam\u00edlia na internet: Fotografias \u00edntimas na grande vitrine virtual.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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*em coautoria com L\u00edgia Diogo<\/span>.<\/p>\n

In: SOUZA COUTO, Edvaldo; BRITO ROCHA, Telma (Org.) A vida no Orkut:\u00a0<\/em>Narrativas e aprendizagens nas redes sociais. Salvador: EdUFBA, 2010; p.33-55.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/La-educacion-alterada.jpg” title_text=”La-educacio\u0301n-alterada” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”\u00bfEs posible uma escuela post-disciplinaria? \u00bfY ser\u00eda deseable?” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: PEIRONE, Fernando. La educaci\u00f3n alterada: <\/em>Aproximaciones a la escuela del siglo veintiuno. C\u00f3rdoba (Argentina): Ed. Salida al Mar, 2010; p.163-193.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Ser-feliz-hoje.jpg” title_text=”Ser-feliz-hoje” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Em busca da felicidade lipoaspirada: agruras da imperfei\u00e7\u00e3o carnal sob a moral da boa forma.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: FREIRE FILHO, Jo\u00e3o. Ser feliz hoje: <\/span>Reflex\u00f5es sobre o imperativo da felicidade. Rio de Janeiro: Ed. Funda\u00e7\u00e3o Get\u00falio Vargas, 2010; 195-212.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: LABRA, Daniela (Org.). Performance Presente Futuro,<\/em> vol. II. Rio de Janeiro: Ed. Aeroplano e Oi Futuro, 2010; p.14-20.\u00a0<\/p>\n

The artist as performer: Dilemmas of the espectacular self in contemporary arts. \u00a0In: LABRA, Daniela (Org.). Performance Presente Futuro<\/span>, vol. II. Rio de Janeiro: Ed. Aeroplano e Oi Futuro, 2010; p. 115-118.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: NETZLING, In\u00e1cio; CARNEIRO de ANDRADE, Paulo Fernando (Orgs.). Uma sociedade p\u00f3s-humana: <\/span>Possibilidades e limites das nanotecnologias. S\u00e3o Leopoldo-RS: Editoria Unisinos, 2009; p. 123-140.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: RIBEIRO, Paula Regina Costa; SILVA, M\u00e9ri Rosane Santos e GOELLNER, Silvana Vilodre (Orgs.). Corpo, g\u00eanero e sexualidade:\u00a0<\/em>Composi\u00e7\u00f5es e desafios para a forma\u00e7\u00e3o docente. Rio Grande (RS): Editora FURG (Universidade Federal do Rio Grande), 2009, p. 33-41.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: DIOGO, L\u00edgia; FURLONI, Alvaro; KOLB, David; SIVOLELLA, Alexandre (Orgs.). 1968, Cinema, Utopia e Revolu\u00e7\u00e3o<\/em>. S\u00e3o Paulo: Caixa Cultural S\u00e3o Paulo, 2008, p. 56-59.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: ANTOUN, Henrique (Org). WEB 2.0: <\/em>Participa\u00e7\u00e3o e vigil\u00e2ncia na era da comunica\u00e7\u00e3o distribu\u00edda. Rio de Janeiro: Ed. Mauad, 2008; p. 241-260.\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: FREIRE FILHO, Jo\u00e3o; PAIVA, Raquel; COUTINHO, Eduardo (Orgs). M\u00eddia e poder: <\/em>Discurso, ideologia e subjetividade. Rio de Janeiro: Ed Mauad X, 2008; p. 157-185.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: CID, Grabriel; COIMBRA, Carlos A. Q. (Org.). Ci\u00eancia em foco: <\/em>O olhar pelo cinema. Rio de Janeiro: Ed. Garamond, MAST e FAPERJ, 2008; p. 25-64.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: CAIAFA, Janice; ElHAJJI, Mohammed (Org.). Comunica\u00e7\u00e3o e Sociabilidade: <\/em>cen\u00e1rios contempor\u00e2neos. Rio de Janeiro: Ed. Mauad, 2007; p. 181-199.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: LA FERLA, Jorge (Org.). El medio es el dise\u00f1o audiovisual<\/span>. Manizales, Col\u00f4mbia: Editorial Universidad de Caldas, 2007; p. 609-613.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: MENDES, Candido e LARRETA, Enrique (Orgs.).\u00a0Subjectivity in the threshold of the digital culture: <\/span>the self in network. Rio de Janeiro: Ed. UNESCO \/ ISSC \/ EDUCAM, 2007; p. 278-305.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: QUEIROZ, Andr\u00e9; VELASCO e CRUZ, Nina (Org.). Foucault hoje?<\/em>. Rio de Janeiro: Ed. Sete Letras, 2007; p. 130-139.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: VILLAVERDE CABRAL, Manuel; GARCIA, Jos\u00e9 Luis; JER\u00d3NIMO, Helena Mateus (Orgs.). Raz\u00e3o, Tempo e Tecnologia: <\/em>Estudos em Homenagem a Herm\u00ednio Martins. Lisboa: Ed. ICS, Imprensa de Ci\u00eancias Sociais, 2006;\u00a0 p. 441-460.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: ALONSO, Rodrigo; SARD\u00d3N, Mariano (Orgs). Inter\/activos: <\/em>Espacio, Informaci\u00f3n, Conectividad. Buenos Aires: Ed. Espacio Telef\u00f3nica, 2006; p. 24-31.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: ESPINOSA, Susana (Org.). Escritos sobre Audiovisi\u00f3n: <\/em>Lenguajes, Tecnolog\u00edas, Producciones, v. 2. Buenos Aires: EdUNLa, 2006; p. 17-30.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: GARCIA, Wilton (Org.). Corpo e Subjetividade: <\/em>estudos contempor\u00e2neos. S\u00e3o Paulo: Ed. Factash, 2006; p. 97-107.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: ARA\u00daJO, Denize (Org.). Imagem (IR) Realidade<\/em>. Porto Alegre: Ed. Sulina, 2006; p. 271-289.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/Estetica-ciencia-y-tecnologia.jpg” title_text=”Estetica-ciencia-y-tecnologia” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Blogs, fotologs y webcams: El show del yo v\u00eda Internet.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: HERN\u00c1NDEZ, Iliana (Org.). Relaciones entre est\u00e9tica, ciencia y tecnolog\u00eda<\/em>. Bogot\u00e1: Ed. Pontificia Universidad Javeriana, 2005; p. 261-286.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”O show do eu (rev)” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” custom_margin=”||0px||false|false” custom_padding=”||1px||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulasibilia.com\/wp-content\/uploads\/2024\/04\/corpos-virtuais.jpg” title_text=”corpos-virtuais” admin_label=”capa” _builder_version=”4.25.0″ _module_preset=”default” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”A digitaliza\u00e7\u00e3o dos corpos: Do rob\u00f4 ao c\u00f3digo gen\u00e9tico.” admin_label=”t\u00edtulo” _builder_version=”4.25.0″ _module_preset=”default” title_level=”h3″ title_font=”Poppins||||||||” title_font_size=”17px” title_line_height=”1.5em” custom_margin=”0px||0px||true|false” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][\/et_pb_heading][et_pb_text admin_label=”Editora” _builder_version=”4.25.0″ _module_preset=”default” text_font=”||||||||” text_text_color=”#777777″ text_font_size=”14px” text_line_height=”1.5em” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|false|true” global_colors_info=”{}”]<\/p>\n

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In: BENTES, Ivana (Org.). Corpos Virtuais<\/span>. Rio de Janeiro: Ed. Centro Cultural Telemar, Cole\u00e7\u00e3o Arte e Tecnologia, v. 1, 2005; p. 118-121.<\/p>\n

The Digitalization of the Body: From the Robot to Genetic Code; p. 166-168.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In: LEMOS, Andr\u00e9 e CUNHA, Paulo (Orgs). Olhares sobre a Cibercultura<\/em>. Porto Alegre: Ed. Sulina, 2003; p. 139 a 152.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.25.0″ _module_preset=”default” background_color=”#f4fbfb” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

In: PUIG PUNYET, Enric. (Org.). Exponer, no exponerse, exponerse, no exponer. 1ed.Barcelona: Editorial Galaxia Gutenberg, 2022, v. , p. 29-38. In: PUIG PUNYET, Enric. (Org.). Esposar. No exposar-se. Exposar-se. No exposar.. 1ed.Barcelona: Editorial Galaxia Gutenberg, 2022, v. , p. 27-36. In: CAMINADA, Luc\u00eda; GON\u00c7ALVES, Fernando. (Org.). Pol\u00edticas y narrativas del cuerpo \/ Politiques et r\u00e9cits […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-105","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/comments?post=105"}],"version-history":[{"count":111,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/105\/revisions"}],"predecessor-version":[{"id":232848,"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/pages\/105\/revisions\/232848"}],"wp:attachment":[{"href":"https:\/\/paulasibilia.com\/index.php\/wp-json\/wp\/v2\/media?parent=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}